LATEST ADDITIONS

The whole field of subjective audio reviewing&#151;listening to a piece of equipment to determine its characteristics and worth&#151;is predicated on the idea that human perception is not only far more sensitive than measurement devices, but far more <I>important</I> than the numbers generated by "objective" testing. Subjective evaluation of audio equipment, however, is often dismissed as meaningless by the scientific audio community. A frequent objection is the lack of thousands upon thousands of rigidly controlled clinical trials. Consequently, conclusions reached by subjective means are considered unreliable because of the anecdotal nature of listening impressions. The scientific audio community demands rigorous, controlled, blind testing with many trials before any conclusions can be drawn. Furthermore, any claimed abilities to discriminate sonically that are not provable under blind testing conditions are considered products of the listeners' imaginations. Audible differences are said to be real only if their existence can be proved by such "scientific" procedures (footnote 1).

ASL Group (formerly known as Audiophile Systems Ltd.) announced December 19 that it had acquired Naim North America, the US distributor of Naim Audio and NaimNet, a deal that strengthens both ASL and Naim NA. Naim Audio's CEO Paul Stephenson said, "It's like going home, since we originally were distributed by Audiophile Systems when we first moved into the US."

"How do you make an object common as a box iconic?" asked Bob Graffy, Snell's vice president/brand manager. He and Joseph D'Appolito, Snell's chief design engineer, were sitting in my listening room, discussing cabinet designs. Graffy noted that KEF had sought the same in their distinctive, silvery, cylindrical Muon loudspeaker ($150,000/pair). For the flagship model in their Illusion series, Snell commissioned Gerd Schmieta, former designer for Ideo, to integrate D'Appolito's wish list for an ideal enclosure: a narrow, rounded upper baffle for the midrange and tweeter, wider at the base for the woofers, holding a constant cross-sectional area while maximizing cabinet volume, and compliance with a 15&#176; tip test.

Italian manufacturer Chario Loudspeakers has never had a strong presence in the US. No wonder, then, when confronted by these exquisitely finished beauties of solid hardwood, many American audiophiles think, "Sonus Faber rip-off." Without knowing the musical history of the 1960s, had you heard Badfinger first, you might have thought the same thing when you then heard the Beatles. Similarly, Chario, by far Italy's largest maker of high-performance speakers, was founded in 1975, eight years <I>before</I> Sonus Faber. While SF has its drive-units built to its own specifications by other firms, Chario designs and builds its own.

The Gini Systems "LS3/5a" is an unlicensed and inexact replica of the celebrated LS3/5a outside (remote location) broadcast monitoring loudspeaker originally developed by the BBC in the early 1970s. (For a pr&#233;cis of the LS3/5a's history, click <A HREF="http://www.stereophile.com/thefifthelement/690">here</A&gt;.)

Dear Frida,<br>
It is official: I have a crush on you, and it feels good. I woke up this morning with your words circling through my foggy mind. <i>Don't you worry, love. Let me help you love. There you go, love. Oh that's brilliant love.</i>

In "Pony," Frida sings: