LATEST ADDITIONS

Mikey fremers with some connections while the imposing Wilson MAXX 3 loudspeaker looks on, darth-vaderishly. Better not screw up, Mikey.

The Musical Fidelity Titan power amplifier: 1000W into 8 ohms and heavy as hell.

The <a href="http://forum.stereophile.com/forum/showflat.php?Cat=0&Number=53228&an=0…; Furutech deMag provided an obvious and immediate improvement to a new vinyl LP.

Beginning with this issue, <I>Stereophile</I> readers will notice that more of the subjective equipment reviews are augmented with technical reports describing certain aspects of the component's measured performance. Although test data have lately been increasingly included in reviews, <I>Stereophile</I> has recently made a major commitment to providing readers with relevant measurements of products under review. We have just finished building an audio test laboratory featuring the Audio Precision System One, a sophisticated, computer-based audio test measurement system.

It’s rare that a live concert captures the mind-bending joy of mainstream post-War jazz. (Recitals of the bebop repertory tend toward the worshipfully literal, like museum pieces.) But just such a rare experience was had last night at Smalls, the convivial (and, yes, small) jazz club in the West Village, where pianist Ethan Iverson played standards with a trio that featured Albert “Tootie” Heath on drums.

It's really serious. I mean, in the beginning, you might give yourself a $25 spending limit, knowing very well that you'll find a little spot on the floor, alongside several others who'll be furiously rifling through the dollar bins. You'll almost certainly come away with a nice little stack of a dozen or so beautiful vinyl LPs. And that's all you'll need, really. That's all you'll need.