LATEST ADDITIONS

I know, center-channel speakers are the bailiwick of our sister magazine <I>Home Theater</I>. But as Wilson Audio Specialties' Peter McGrath told me when he explained the speaker's technology to me in the Utah company's suite at the Mirage, two Polarises work magically as a stereo pair. (Unfortunately, the speaker was only being shown, not demonstrated.)

I had gone into the Koetsu USA room at the Venetian to catch up on the latest developments to the Italian Blacknote DSS30 media server, which I hope to be reviewing later in the year. But I was very taken by the sound of the three-way Odeon Elektra loudspeakers ($19,100/pair), which, driven either by the DSS30,a Goldennote Stibbert CD player, or a Montegiro LP player, via a Goldennote 75Wpc, solid-state integrated amplifier, didn't sound <I>at all</I> like what I expect from horn speakers. Strings had a natural sheen, brass winds a natural "blattiness." Whether solo voice, classical orchestral, or solo piano (a high-rez Beethoven Sonata from 2L), the sound was uncolored, unstrained, and enjoyable.

I spent much of my time at CES roaming around with <I>Stereophile</I>'s self-proclaimed Web Monkey, Jon Iverson. I'd never met Jon before I came to the 2010 CES but he was a wonderful guide both to Las Vegas and to CES, as well as a smart and kind person to get to know. On Saturday morning he suggested we head on over the THE Show located at the Flamingo Hotel, right on the strip. One of the first rooms we happened upon was the Edge Electronics room. Jon said, "We've <I>got</I> to go in here."

There were a few companies showing products on the 2nd floor of the Venetian, adjacent to the Sands Convention Center, where the Adult Show was being held. After John Atkinson and I grabbed a well-needed afternoon cup of coffee we checked out a few of the spaces on these lower floors. JA and I quickly found the Parasound/Atlantic Technology room&#151;a pairing of companies I would not have come up with myself. On silent display was the brand new JC3 phono preamplifier ($2000). Those who know about Parasound equipment will already know that the JC moniker for this phono stage indicates that it was designed by John Curl, an engineer that many audiophiles (and reviewers) speak of only in hushed tones. As you can see from JA's photo, the preamp is divided up into shielded sections within the chassis to keep the dirty signals dirty and the clean signals clean. Each channel's circuitry is encased in a metal sub-enclosure, that also shields the input and output jacks, and is supplied super-regulated DC from the power supply.

Some products at CES&#151;all-black products, with black highlights, and with the lettering tastefully done in black, in a darkened room&#151;defeat all but the most-determined photographers. So my thanks to Larry Greenhill for managing to photograph the new Class&#233; CTM600 600W monoblock amplifier ($6500 each).

MSB is not messing around at this CES. The company has announced a stack of new products, including the DAC IV variations seen here (from the top): Signature Platinum DAC IV starting at $13,995, the Diamond DAC IV starting at $25,995, the Platinum DAC IV starting at $5,995, and the Platinum Power Base to keep them running.

Here is some serious DAC porn: The MSB Signature Platinum DAC IV with its top off to reveal four 24 bit Discrete 3MHz Four Quadrant Ladder DACs.