LATEST ADDITIONS

The February 2010 issue of <i>Stereophile</i> is now on newsstands. What do you think of the cover? I like it more than any cover we’ve done since <a href="http://blog.stereophile.com/stephenmejias/now_on_newsstands_stereophile… October 2009 issue</a>, which featured the lovely <a href="http://www.stereophile.com/floorloudspeakers/zu_essence_loudspeaker/">Zu Essence</a> speaker. The styling of the current cover may seem a bit soft and feminine (for <i>Stereophile</i>), but I think it’s elegant and graceful, like the speaker it frames. Vienna Acoustics’ Kiss is a beautifully finished three-way design with an integral stand. It uses a 1" silk-dome tweeter coincident with a 7" proprietary Spider-Cone midrange and a 9" Spider-Cone woofer. Wes wanted to make out with it. Can you blame him? He wrote: “The Kiss was exquisitely capable of revealing the emotional core of every type of music I played through it.”

Two audiophile buddies of mine both own Rogue Audio M-150 monoblocks. I'd always been impressed with not only the sound quality of the M-150, but also its price. For $4495/pair, I thought my friends got a whole lotta amp for notta lotta dough. In this day and age, it's a rare and wonderful thing to get a pair of monoblocks, made in the US by a real audio company, that give you 150Wpc of tube power for under $5000. When Rogue came out with an update of the M-150, the M-180 ($5495), I thought it might be a good subject for my first full review in <I>Stereophile</I>. John Atkinson thought so too. I also thought it would be interesting to compare the M-180 with the very tube-like and almost identically priced Pass Labs XA30.5 two-channel amplifier ($5500), a sample of which I had on hand. (see my <A HREF="http://www.stereophile.com/solidpoweramps/pass_labs_xa305_power_amplifi…; in August 2009).

Hang around long enough, and your reward is often to be taken for granted or ignored. Canadian electronics manufacturer Bryston Ltd. has been around since the mid-1970s, and while—if coverage by Stereophile is any indication—the company has hardly been ignored, it's often taken for granted.

Spending time on the coast, with nothing to impede your view, leaves you feeling more aware of your connection to the planet, this gorgeous blue rock, spinning about in space. One remarkable thing about being so close to the edge of the continent is that you can actually see the curve of the earth. Here I am, committing it to memory.

On Wednesday, at around 5PM, Jon Iverson pulled off the road and snapped this shot of a complete double rainbow. The symmetry was accidental. Jon just happened to be in the right place, at the right time. Funny how things work out.

Until recently, I have considered LaserVision video discs as a rather dubious medium for serious music reproduction. The only review I had read about it by a critical listener (Harry Pearson in <I>The Absolute Sound</I>) was I singularly unenthusiastic, and since I had not heard one myself, I was inclined to take his word for it.

Toward the end of 2009, I read a lot about Darcy James Argue’s Secret Society, an 18-piece big band, and its debut CD, <I>Infernal Machines</I>, which was showing up on several best-of-the-year lists. But I never received a copy of the album and couldn’t figure out how to contact the label, New Amsterdam. Finally, I <I>bought</I> a copy from Downtown Music, a terrific alt-jazz record store in Manhattan, and, it turns out, the excitement is justified.