LATEST ADDITIONS

Next door to Cabasse, Samuel and Jean-Pierre of L'Atelier-Audio had somewhat less English—and my command of French is virtually non-existent. But I had no trouble understanding the music played through their Ocellia Calliope 30 Twin Signature loudspeakers (exhibited in pre-production form, price TBD), driven by their Quaero 300B push-pull amps ($15,000/pair) and Quaero Signature preamp ($9000). As with all Ocellia loudspeakers, the very efficient Calliope 30 Twins use high-sensitivity drivers from the French company Phy, and the exquisitely beautiful cabinets are built with intentionally very thin walls, braced in a manner not unlike a guitar or violin, and equipped with an adjustable port/open baffle system for matching the loudspeaker to the volume of air in the listening room. The performance was lovely, insofar as I could tell in such an unavoidably setting, and I've requested a pair for review.

Because I have a review pair at home, I was eager to hear how the new Wilson Sasha loudspeakers ($26,995/pair) would sound under show conditions, in the largest Coup de Foudre room. Driven by a Brinkmann Oasis turntable ($13,700), Brinkmann 10.5 tonearm ($6300), Brinkmann EMT cartridge ($4300), VTL TL5.5 preamp ($8000 with phono), Berkeley Alpha D/A converter (45700), Pathos Adrenaline amplifiers (price unknown!), and all Transparent Audio cabling, the Sashas were just as colorful, dramatic, and involving today as they've been for the past several weeks in my own listening room. Of course today's performance owed a great deal to the quality of the recordings made by master recordist Peter McGrath of Wilson Audio (left), whose sessions with Cuban-born pianist Jorge Luis Prats were nothing short of sensational. On the right, making sure I didn't miss the VTL preamp, is VTL's Luke Manley.

The best new jazz album of 2010 so far: the Ryan Keberle Double Quartet’s <I>Heavy Dreaming</I> (on the Alternate Side Records label). I’ve played it a dozen or so times in the month since I received an advance copy. It’s infectiously joyous, except when it’s movingly melancholic, and it’s head-spinning, too.

Simple "Enter" signs posted on exhibitors' doors, and made to match the color of the show hall, work to create a welcoming environment at SSI 2010.

You’ve heard this before from us, but only because it’s true and remains an important point: A great part of the fun (and, therefore, <i>value</i>) in attending hi-fi shows comes from the chance encounters that inevitably take place in the show halls. We’re all trying to get somewhere fast, and these encounters invariably slow us down, but almost always for the better. We get to see the people who work so hard to bring great music into our homes. Here, for instance, I had the pleasure of bumping into Ayre Acoustics’ Steve Silberman (left) and Magico’s Irv Gross (far right).

The <a href="http://www.stereophile.com/news/montreal_audio_show_starts_friday/">Sal… Son & Image</a> hi-fi show opens on Friday, March 26, in Montreal, one of the world’s friendliest and most colorful cities. Tomorrow morning, John Atkinson will arrive at my front door, and we’ll drive the 376 miles from Jersey City to Montreal’s Hilton Bonaventure, where its rooftop garden and two floors of music await us.

<I>Stereophile</i>'s John Atkinson, Stephen Mejias, Robert Deutsch, and Art Dudley will be reporting live from the 2010 Salon Son & Image show in Montreal.