<a href="http://blog.stereophile.com/stephenmejias/last_night_in_other_music/">L… night</a>, after leaving <a href="http://www.othermusic.com/">Other Music</a>, orange bag in my hand, I stopped in front of <a href="http://www.inlivingstereo.com/">In Living Stereo</a> and gazed dreamily at the window display: A pair of DeVore Fidelity Gibbon 3s (just like home!), a Rega P3 (just like home!), and a…
<i>Photo: David Black</i>
On Friday, John Atkinson and I visited the lovely home of <a href="http://www.wircmedia.com/">WIRC Media</a>’s Micah Sheveloff, press representative for Thiel and Bryston.
Recent reviews in <I>Stereophile</I> have highlighted a wide variety of loudspeaker design approaches. What is your favorite speaker technology and why?
The debate over which audio component is most important in determining the quality of a system's sound is one that has been with us for decades. Recently, it came up in a conversation I had during a visit to a Manhattan high-end shop, when I was told about a discussion on the topic by <A HREF="http://www.stereophile.com/interviews/1101ivor">Ivor Tiefenbrun</A> (of Linn) and <A HREF="http://www.stereophile.com/interviews/690wil">David Wilson</A> (of Wilson Audio Specialties). You don't have to be a seasoned audiophile to predict their respective positions, but when I was pressed to take a stand, I paused.
In a way, you could say that Meridian started the now epidemic practice of modifying stock CD players (usually of the Philips-Magnavox species). The original Meridian player, the MCD, was a reworking of the first-generation Philips and was <A HREF="http://www.stereophile.com/cdplayers/285meridian">praised by J. Gordon Holt</A> in these pages in his 1985 review (Vol.8 No.2). The Meridian Pro (Vol.8 No.6) won similar plaudits, and is still to be seen lurking in JA's system. And the original 207 was well-received by MC in Vol.10 No.3.
Snickering was heard from the major consumer electronics purveyors when California Audio Labs came out with the <A HREF="http://www.stereophile.com/cdplayers/654">original Tempest</A>, their first CD player using tube output stages. But not from the audiophile community. It was, all things considered, an inevitable product; I'm certainly not the only one who wondered—before the emergence of California Audio Labs—who would be the first to build such a unit. The obvious candidates were Audio Research or Conrad-Johnson. But those companies apparently read the audio tea-leaves and, perhaps perceiving the early high-end hostility toward the new format, apparently decided to bide their time. (With regards to tube players, they're still biding it, though C-J has had a prototype player up and running for some time.)
<B><I>YSAŸE KREISLER BACH</I></B><BR>
J.S. Bach: Partita No.2, BWV 1004, Kreisler: Recitativo & Scherzo, Op.6, Ysaÿe: Sonata, Op.27 No.2<BR>
Arturo Delmoni, violin<BR>
Water Lily Acoustics WLA-WS-07 (LP), WLA-WS-07-CD (CD). Kavichandran Alexander, eng., prod. AAA/AAD. Subsequently released on CD as John Marks Records CD JMR 14G (footnote 1). TT: 48:03
Maria Schneider’s Jazz Orchestra plays at Birdland in midtown Manhattan this week, an unusual season and setting (usually they play at the Jazz Standard around Thanksgiving). The occasion is the premiere of a new, commissioned composition, and at Wednesday’s early set, it sounded as lovely as anything she’s written: joyful, melancholic, adventurous, pensive, with a samba swing.
Remember <a href="http://blog.stereophile.com/stephenmejias/the_world_is_crazy/">this rad video</a>?