Today, “Elements of Our Enthusiasm” turns five years old, which, in blog years, is older than the universe. I thank you, dear readers, for sticking around and making this blog one of the most visited pages on our entire website. “Elements” is more popular than Justin Bieber.
Seeing John Prine the other night on Governor’s Island with <I>Stereophile</I>'s Stephen Mejias was a fairly profound experience, owing to Prine’s strange, elegiac tone. It may be that he wasn’t down with the venue (a windy island at night) or that he was simply tired (he looked it), but almost everything he sung, even the fun ones like, “Please Don’t Bury Me,” had an odd sadness clinging to it. I tried not to think about how Prine beat cancer back in 1998. The first time I saw him backstage after the cancer had been cut and radiated out of his throat, he cracked a smile and chirped, “Well Robert, this is what happens when you start smoking when you’re 14. What did I expect?” Thankfully his voice and his irascible disposition returned undiminished by the illness. He’s lost some tissue in his neck and his voice did indeed get a little growlier, but overall he was extremely lucky. I prefer to ascribe his lonely tone last Friday to the fact that he’s been singing some of those songs for 40 years and just decided to give them a different emotional bent in New York. Truly though I have never seen a Prine show that wasn’t laced with jokes, spot on wisecracks and sly references to the current world history. And never have I heard one of his signature songs “Donald and Lydia,” done so beautifully, its chorus lines turned into a near prayer:
“But dreaming just comes natural
Like the first breath from a baby,
Like sunshine feeding daisies,
Like the love hidden deep in your heart.”
The October 2010 issue of <i>Stereophile</i> is now on newsstands. On the cover, you’ll see a pretty much life-sized image of Logitech’s Squeezebox Touch, a real dandy of a hi-fi product that costs just $300 and seems to captivate everyone who comes into contact with it. The normally unflappable Kal Rubinson ends his review (page 118) by advising, “Get a Squeezebox Touch right now. You’ll never look back.” Even our cover photographer, Eric Swanson, fell in love with the little thing. He bought his sample. We chose the Mobile Fidelity version of Beck’s <i>Sea Change</i> for the cover art because it connects with Robert Baird’s feature piece on outstanding reissues (page 111), and because the colors are pretty. The colors featured on the Squeezebox Touch’s display dictated those used by our graphic designer, Natalie Baca, in her cover treatment.
When I initially read about the Triple Decker Record <a href="http://pitchfork.com/news/40051-jack-white-invents-a-new-type-of-vinyl-… Pitchfork.com</a>, I thought to myself, “Maaaaan, that’s stupid.”
<i>Grinderman 2</i>, by <a href="http://www.grinderman.com/">Grinderman</a> (don’t click that link), is October 2010’s “Recording of the Month,” and it’s available today. Go out and buy it, before it buys you. Bwhahahahahahahaha.
<a href="http://stereogum.com/507781/neil-young-angry-world-video-stereogum-prem…; premiered the video for Neil Young’s “Angry World” from his upcoming solo album, <i>Le Noise</i>.
One of my favorite parental duties is dispensing advice that's calculated to make me sound wiser than I am. Among those pearls: Every so often you should change your point of view—your <I>philosophies</I>—just to see if your opinions can stand the strain. In doing so, you may discover a few things that are better than you expected them to be!
I'm a basically a tube guy, but I've never warmed up to most lower-powered integrated tube amps. Although I quite enjoyed the time I spent with the Cayin A-50T, which I <A HREF="http://www.stereophile.com/integratedamps/308cay">reviewed</A> in the March 2008 issue of <I>Stereophile</I>, over the years I've typically found I'd rather spend time with mid-priced, solid-state integrateds from Creek, Musical Fidelity, or Simaudio than deal with the loss of definition at the frequency extremes that I've heard from many lower-powered tube models. So it was with a bit of trepidation that I approached the VSi60, a 50Wpc integrated amplifier from Audio Research Corporation.