LATEST ADDITIONS

As photographer Lewis Hine once said, "If I could tell the story in words, I wouldn't need to lug around a camera."

Which is why, though it took longer than expected, the Stereophile Galleries are back online. You can once again check out reader's listening rooms, live music shots, photos from Stereophile's past and present, and more.

Anybody can post a photo into one of the categories. Sign up for a free account and upload away. If you already have an account, log in and you'll see the "Upload Photos" button at the top right on every gallery page.

Photos can be sorted by various criteria, and rated whether you are logged in or not. We encourage readers to sort their photos into the various categories, but you can also see all of the pictures in any individual member's gallery by clicking on their name under one of their photos. If you want to see your own gallery from any page on the site, log in and look for the "My Gallery" link in the log in area.

Click here to take a look and add some audiophile art of your own.

In the May 2009 issue, I gushed over the performance of Linn Products' remarkable little bookshelf speaker, the Majik 109 ($1590/pair). In particular, I was struck by how I'd never heard any speaker at any price whose high frequencies sounded more natural, detailed, or pure than the 109's. Then, wondering what a pricier Linn speaker might sound like in my system, I asked Linn which was their most expensive model that also incorporates the 2K tweeter-supertweeter array used in the Majik 109. The answer: the floorstanding Majik 140 ($2995/pair). Once I'd worked through my reviewing backlog, two 140s were on their way to my listening den.

Minnesota pride is a funny thing. As Garrison Keillor points out weekly on A Prairie Home Companion, to be a Minnesotan, the first and crucial step to be taken is that of self-effacement. It is unclear to me whether this is the cause or symptom of Minnesotans ability to endure brutal winters, excel at the creation and consumption of hot dish (which the rest of the God-fearing world knows as casseroles), or their miraculous lineage from generations of Norwegian bachelor farmers. Whatever it is, Minnesotans tend to quietly get their jobs done with little more fanfare than a cup of coffee and a slice of rhubarb pie.

I say this all the time, but I’ll say it again: I cannot keep up with all of the great new music that’s being released. It’s coming from all over the world, it’s beautifully packaged, and it’s lovingly presented by people who care deeply about their relationships with the artists and the listeners. This is a wonderful time for music, and, therefore, a wonderful time for hi-fi.

Today, I’m listening to Jannick Schou’s Act of Shimmering, a new vinyl-only release limited to 300 copies and made available by Experimedia, a home for sounds that reliably fascinate, enthrall, enrich.

This story originally appeared at InnerFidelity.com

When the stewardess asks me if I'd like to buy a pair of headphones for two dollars, I usually say no thanks and smile. She has no idea how good a pair of custom in-ear monitors sound.

And then I thought, "Well, I really have no idea how good her headphones sound either." So, I bought a pair, and brought them home to test.

Oh my!

Every young audiophile could use a mentor. In my position here at the magazine, I am fortunate to have about two dozen of them. They give me inspiration, criticism, advice, the heebie-jeebies, and sometimes even gifts. Most recently, Uncle Art sent me a couple of really neat gifts: A lovingly used Dynavector DV10x5 high-output moving-coil cartridge and a tough-looking Rega torque wrench.

This story originally appeared at InnerFidelity.com

Simply put, I'm stunned.

It's hard to make a good sounding sealed headphone, and much more so a small, supra-aural (on-ear) type. They all seem to falter sonically somewhere. In-ear headphones were the only way to get really good portable sound ...

... until now.