If you've read <I>Stereophile</I> regularly over the past decade, you know that ProAc Audio's Stewart Tyler has a winning formula for designing loudspeakers. In review after review, this magazine's writers have celebrated the sonic profile he has created for ProAc speakers: a spacious soundstage with a big, coherent image; a clean, grain-free midrange; extended highs that don't intrude on the music; and tight, tuneful bass response.
Several companies are releasing new power-conditioner products these days, some with radically new technology. Are you using them?
Jonathan Scull writes: "Cable dressing is actually a rather delicate issue that requires a certain leap of faith. The concept is so simple that even I can explain the science to you." And explain he does. Read <A HREF="http://www.stereophile.com//finetunes/188/">"Fine Tunes #7"</A> to learn the whole story.
Digital perfectionists <B>Meridian</B> obviously pulled out all the stops on their new flagship speaker product, the DSP8000. Checking in at $45,000/pair, the eight-driver Digital Active design is expected to hit the market sometime in March. Meridian claims the three-way powered speaker has a 24/96 digital input on the back and processes the digital signal internally with two 100MHz DSP engines operating with 24/192 resolution. Also on display were the new DSP33s, also Digital Active but more modestly priced at $4500/pair.
The music business is a $13-billion-a-year industry, but the high-end audio industry reaches only a tiny fraction of the music lovers that number represents. "Everybody loves music, so why don't they love specialty audio?" was the question addressed to a group of industry experts at one of a series of <A HREF="http://www.audiocafe.com/">AudioCafe.com</A>-sponsored panel discussions on Friday, January 7, at the Alexis Park, during the 2000 Consumer Electronics Show in Las Vegas.
High-end audio in trouble? That's been the consensus the last few years, but the sheer number of new products at this year's Consumer Electronics Show hints at a steady trend in the opposite direction. New developments in power conditioning abound, and several brave companies are even testing the SACD/DSD and DVD-Audio waters.
Judy Spotheim, maker of the SpJ arm and the gorgeous La Luce turntable that I reviewed a while back for <I>Stereophile</I> (October 1998) and that has subsequently become one of my references for LP playback. She's an intelligent, well-read individual who has a penchant for asking me, "You didn't read that in the manual?!" Ahem. Although the following interview was taped on the phone from her home in the Netherlands, I hope to meet her sometime soon.
Reader Paul W. Simoni wonders how content audiophiles are with the high-end audio business.
The month of December was particularly hard on the music world, which lost three of its greatest talents within a few days of each other: Curtis Mayfield, Grover Washington, Jr., and Charles Earland. All were in their late 50s.
It's been a tough year for some of the audiophile record labels, as witnessed by the demise in late November of Mobile Fidelity Sound Lab (see <A HREF="http://www.stereophile.com/news/10614/">previous story</A>). The shock of MoFi's sudden departure even prompted Kimber Kable's Ray Kimber to fire off an e-mail to everyone within virtual reading range, urging them to buy a few audiophile CDs and LPs right now, before it's too late.