Henry Threadgill, old and (perpetually) new
Henry Threadgill should be better known than he is. A topnotch musician on alto sax and flute, one of the more innovative composers in jazz, a veteran of the Chicago avant-garde and a revivalist of ragtime improvisational styles (the two are not so contradictory, as he was the first to demonstrate), Threadgill started out on small labels, briefly landed contracts at RCA Novus and Columbia during their brief flirtations with experimentalists (in the late ‘80s and mid ‘90s, respectively), then went back to the indies—all the while retaining, even advancing, his spirit of adventure and his restless but disciplined innovation.