Apple AirPods Pro 3: First Impressions
Hegel H150 Integrated Amplifier Officially Announced
Sonus faber Announces Amati Supreme Speaker
FiiO M27 Headphone DAC Amplifier Released
Audio Advice Acquires The Sound Room
Sponsored: Pulsar 121
CH Precision and Audiovector with TechDAS at High End Munich 2025
KLH Model 7 Loudspeaker Debuts at High End Munich 2025
Sponsored: Symphonia
Where Measurements and Performance Meet featuring Andrew Jones
Sponsored: Symphonia Colors

LATEST ADDITIONS

Big Star's Third

In the chronicles of the now absurdly revered Memphis alt rock originators, Big Star, the third record called appropriately enough, Third (or sometimes Sister Lovers) is perhaps the band’s best record. That’s only true of course if slow, often gossamer thin melodies pitched too high so that Alex Chilton’s voice couldn’t help sounding anguished and lyrics that fit under the term of “Fragile” or “Twisted,” and a pervasive feeling of doom (with several outbursts of partly cloudy pop rock) are your thing.
Continue Reading »

Arcam Delta Black Box D/A processor

As explained by Ken Kessler elsewhere in this issue, the English A&R Cambridge company made their name by producing one of the UK's most successful integrated amplifiers, the 40Wpc A60. This neatly styled model was in production for a decade or so and was the basis for a large number of good-sounding but inexpensive audio systems. These days, the company, whose products in the US sell under the Arcam banner, is a major British hi-fi manufacturer, with a product line that includes integrated amplifiers, tuners, loudspeakers, cartridges, and even a CD player. A&R was, I believe, the first UK manufacturer to obtain a player-manufacturing license from Philips, and with the product under review here, has broken new territory for a supposedly "audiophile" company in having a custom LSI chip manufactured to their own requirements.
Continue Reading »

Conrad-Johnson PF-1 preamplifier

Cycles can be seen in the fortunes of companies. Likewise cycles can be seen in the performance of companies' products. A particular range will appear to have got it just right, whatever "it" is. The designer may have hit a winning streak and thus steal a lead over the competition. C-J set a new state-of-the-art preamp standard in the late 1980s with their Premier Seven, and some of that expertise and experience are beginning to pay off in the shape of new high-performance preamplifiers at realistic prices. Two important products have emerged from all this in C-J's moderately priced FET range, namely the PF-1 preamp and the matching MF-200 power amp. By audiophile standards, these are moderately priced at $1295 and $1995, respectively.
Continue Reading »

Now On Newsstands: Stereophile, Vol.34 No.4

The April 2011 issue of Stereophile is now on newsstands. I’m especially excited about this one. In fact, I kinda wish I could create an enormous high-resolution, illuminated reproduction of the cover and drape it over one entire side of the Empire State Building. That’s how much I love this issue. Yesterday afternoon, I walked over to 4 Times Square and handed a copy of our April issue to my dear friend, Jaime, the photo editor for a very popular woman’s magazine. She was equally impressed.

You see those warm, happy colors and those delicious, little loudspeakers on the cover of our April issue? Those things make girls happy. And when girls are happy, dudes, the world is a better place.

Continue Reading »

Recording of February 1989: Rameau: Works for Harpsichord

RAMEAU: Works for Harpsichord
Albert Fuller, harpsichord
Reference Recordings RR 27 (LP), RR 27-CD (CD*). J. Tamblyn Henderson, Jr., prod.; Keith O. Johnson, eng. AAA/DDD. TTs: 57:45, 63:57*

I have to admit that I gave Reference Recordings' last Baroque release somewhat short shrift: I was disappointed enough in the performance that even KOJ's usual superb recording was insufficient to redeem things. Here, however, Albert Fuller (who was also present the last time out) is in fine fettle, giving as good an account of these works as we could wish. Clearly he is more sympathetic to Rameau than he seemed to be toward Bach; the French emotionalism of the former is apparently more in accord with the performer's personality. I still enjoy the rendition given by a young Trevor Pinnock in the mid-'70s (Vanguard VSD 71271), and you will find the roots of Fuller's style on the old Bach Guild releases of Gustav Leonhardt, but the present recording stands on its own merits musically and is orders of magnitude better sonically than any of the previous versions. Fuller also sticks to real English in his liner notes, which he most emphatically did not do on the previous RR disc.

Continue Reading »

Youn Sun Nah's Same Girl

Has anyone here ever heard of Youn Sun Nah, or am I just out of it? She's a South Korean singer, 42 (though she looks 25), born to a musical family. She's spent the last decade or so in France and has built a strong reputation on the European concert tour the last couple years, but there have been no appearances or even press about her stateside, not that I know of anyway. Well, let me get a ball rolling. Her new CD, Same Girl (on the German label ACT), is one of the most refreshing jazz vocal albums I've heard in a long while.
Continue Reading »

Cherish the Light Years

I resisted at first, but Cold Cave's Love Comes Close became one of my very favorite records of 2009. The album also led me to one of New York City's darkest, spookiest, and most welcoming record shops, Hospital Productions, a fantastic source of underground noise, industrial, and experimental work on CD, LP, and, good-god-almighty, cassette.

Cold Cave's new album, Cherish the Light Years will be available in similarly fine record shops on April 5th, but Matador Records has provided a free stream, so you can listen now.

Continue Reading »

Beyerdynamic DT 235 Headphone

This story originally appeared at InnerFidelity.com

Q: Why is a university librarian like a fourteen year old skateboarder?
A: Both would love a pair of Beyerdynamic DT 235 headphones!

The Beyerdynamic DT 235 ($57.65, available in black and white) is about as attractive as a brick. But it's also as durable and useful, not nearly so heavy, and sounds way better. This plain-Jane headphone is perfect for library listening rooms, museums, dentist chairs, and all manner of utility applications ... including the one where you give it to a kid who can break a bowling ball in a padded room.

Continue Reading »

Skullcandy Roc Nation Aviator

This story originally appeared at InnerFidelity.com

Oh Nooooos!
I was at the Consumer Electronics Show earlier this year for my first face-to-face meetings with my new boss and his boss from Source Interlink Media about the InnerFidelity start-up, when out of the blue the boss's boss says, "Say, I've got a meeting with Skullcandy this afternoon, you should come."

Ruh roh.

We high-end headphone geeks don't take too kindly to headphones painted up with pink kitties and cartoon monkeys, so I try to opt out gracefully, "Aw, geez, I dunno, they're not really my thing. They're pretty and all, and Skullcandy is a very popular maker, but I think I'm more interested in the more serious and sound quality oriented brands."

*silence*

"You should come."

"Yes, boss..."

Continue Reading »

Listening #99

That was called "love" for the workers in song;
probably still is, for those of them left.
—Leonard Cohen

It started around 1950, as postwar economies boomed and commercial radio stations multiplied like bunnies: Broadcasters needed reliable, high-quality turntables, so Garrard Engineering and Manufacturing—an offshoot of Garrard & Co., England's first Crown Jeweler—took up the challenge. They brought their considerable engineering talent to bear on a new design, invested in the personnel and facilities required to make the thing, and released the model 301 motor unit in 1953. It was a huge success—and, strangely enough, it still is.

Continue Reading »
Advertisement
Advertisement
Advertisement