FiiO M27 Headphone DAC Amplifier Released
Audio Advice Acquires The Sound Room
Sponsored: Pulsar 121
CH Precision and Audiovector with TechDAS at High End Munich 2025
KLH Model 7 Loudspeaker Debuts at High End Munich 2025
Marantz Grand Horizon Wireless Speaker at Audio Advice Live 2025
Sponsored: Symphonia
Where Measurements and Performance Meet featuring Andrew Jones
High End Munich: Audio Reference "Most Exclusive System Ever" with Wilson and D'Agostino
Silbatone's Western Electric System at High End Munich 2025
Sponsored: Symphonia Colors

LATEST ADDITIONS

The Replacements' Tim: Let It Bleed Edition

Having just finished this review of The Replacements' Tim: Let It Bleed Edition, I thought I'd glance at a couple of online forums to see what the collective verdict was on the sound quality of the set's main attraction: a remix of the album by Ramones engineer Ed Stasium. At Steve Hoffman's forums, I saw this in one of the first posts: "It sounded like I expected Tim to sound when it came out in the fall of 1985. I've also listened to the newly remastered original album that comes with the set, and while it sounds good and I'm glad to have it, it pales compared to the 2023 Stasium mix." Ticking down a post or two, exuberance gushed forth: "Well, IMO the [Stasium] version of Tim may be the greatest rock record of all time."
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Leak Stereo 230 integrated amplifier

Sometimes I think expensive components—I'll let you decide what constitutes expensive—should come with a big red sticker on the box that reads "WARNING! This product will probably not meet your expectations!" That's because when you spend a lot of money on something, you expect that something to have no flaws and to sound nigh perfect. Why else would you have paid so much? As you gaze at it, touch it, and listen to it, it constantly reassures you that you made the right decision by picking it over all the other, less pricey candidates. It has to be unambiguously better than any component of its nature that has passed through your system, or else, what was the point in all that upgrading?

Prior to this review, I had expectations about the product under review, the Leak Stereo 230 ($1695 with the walnut enclosure), based on, among other factors, price.

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Brilliant Corners #10: Tron Electric Convergence Signature & PrimaLuna EVO 100 phono stages

"The phonograph record is an art form itself," Lester Koenig wrote in March 1959, "and one of its advantages is the performance that exists uniquely of, by and for the record." Remarkably, when Koenig included this pronouncement in his liner notes to Sonny Rollins and the Contemporary Leaders, the 12" long-play record had been the dominant carrier of recorded music for less than a decade, and stereo discs had been mass-produced for just over a year.

For Koenig, this issue wasn't merely academic. Before making his name as head of Contemporary Records in Los Angeles, he had attended Yale Law School, worked as a screenwriter and producer at Paramount, and gotten blacklisted by the House Committee on Un-American Activities. At Contemporary, he set out to become a leading practitioner of the art of phonography.

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Merging Hapi MkII multichannel digital processor

I've been running a 5.1 system for years. Recently, I expanded it to 5.3 with the addition of two more subwoofers. This system is manageable with one of my eight-channel DACs.

Even more recently, I dipped my toe into Dolby Atmos, which made it necessary to lash up at least four more channels. That was a big problem, since neither JRiver nor Roon can support and sync more than one output device at a time, and the multichannel DACs I already owned tap out at eight channels.

I turned to the Arvus H2-4D Renderer, which offers 16 channels of digital output over AES3 and 16 channels of balanced-analog output. This worked, but piping everything through the Arvus meant forswearing DSP, including DiracLive. I really needed a DAC with at least 12 channels.

The Merging+Hapi has been around for years...

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Santa's–Sorry, Sasha's–Christmas Playlist

In my house, I have a little stack of CDs that I bring out once a year—for Christmas Eve and Christmas day. I then put them away on the shelf until the following year. This annual Festival of Christmas Albums is met with varying degrees of pleasure and resignation by the family members present; listening is non-negotiable, though we may not make it through all of them. Once in a while a new Christmas album will make the cut and be added to the stack, but not every year.

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Audio Video 2023, aka "The Warsaw Show"

The Warsaw show's biggest site really is a stadium. (Photos by Jason Victor Serinus.)

At the risk of writing hyperbole, I will state that Audio Video 2023, held October 27–29, 2023, was unlike any other audio show I've attended. At no other audio show have I encountered so many young people, so many women, and so many brands unknown in the United States. Not even in Munich have I encountered crowds as dense as those that mobbed the show's biggest site, the National Stadium of Poland, PGE Narodowy, on Saturday. A press badge counts for nothing when you're 11" short of 6'3", attempting to see far enough into a huge room to spy a seat. Any seat.

Happily, the majority of attendees at the Warsaw Show did not come to yap away about the stock market or the speaker they built three decades ago. People came to listen, and they respected others who came to listen. Even in the largest rooms, with crowds of some 150 people, it was possible to hear music and learn from presenters' unamplified raps.

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ReDiscoveries #6: Old is New, The Beatles' Red & Blue

The first Beatles music is more than 60 years old, and the group broke up 53 years ago. Yet they and their music remain relevant. So when Apple Corps announced "The Last Beatles Song," on October 26, the world's media ran with the story.

Beatles fans span at least four generations, and the group's promotion machine is looking to hook today's youth, and perhaps rekindle old flames, with 50th Anniversary deluxe reissues of the "Red" (1962-1966) and "Blue" (1967-1970) compilations. These expanded editions—12 new tracks on Red and nine on Blue, including the new-old single "Now & Then"—sport remixes performed since 2015.

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MoFi Electronics SourcePoint 8 Loudspeakers Sweepstakes

Register to win a pair of MoFi Electronics SourcePoint 8 Loudspeakers (retail value $2,999.00 ) we are giving away.

"In a recent Stereophile review, the MoFi Electronics SourcePoint 8 Loudspeakers, masterfully designed by Andrew Jones, have captured the attention of audiophiles with their exceptional sound quality. Hailed as 'a revelation in audio fidelity,' these speakers showcase Jones' expertise in a compact yet powerful design. A reviewer observed, 'The SourcePoint 8 doesn't just play music; it breathes life into every track.'"

Click on the picture above for details on how to enter.

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Naim NSC 222 streaming preamplifier & NPX 300 power supply

Naim has comprehensively reimagined its Classic Series, which has been around for some 20 years with improvements along the way. Included in the new range of products is the 200 series, comprised of two products: the NAP 250 power amplifier, which I reviewed in the November 2023 issue of Stereophile, and the NSC 222 streaming preamplifier ($8999), which is reviewed here. A third component in the New Classic series, the NPX 300 power supply (also $8999), which is intended to be paired with the NSC 222 and other Naim components, is also considered in this review.
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