Discussing Negative Frequencies with John Atkinson and Scott Wilkinson
On Friday, October 21, Stereophile editor John Atkinson presented the Richard Heyser Memorial Lecture at the 131st Audio Engineering Society Convention, held at the Jacob Javits Center in Manhattan. A couple of days later, JA spoke with Home Theater’s Scott Wilkinson about some of the points he made during the event.
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From the safety of your own home or office (without the threat of JA throwing a baseball at you or pouring a glass of water on your laptop), you can tune in to Scott’s podcast and enjoy much of what JA covered in his fascinating lecture, titled “Where Did the Negative Frequencies Go?”
Listen here.
I should begin this review by confessing that I've never been a fan of subwoofers. Most subwoofer systems I've heard have been plagued by a familiar litany of sonic horrors: poor integration between subwoofer and main speakers, boom, bloat, tubbiness, slowness, excessive LF output, and an overall presentation that constantly reminds the listener he is hearing a big cone moving. To me, subwoofers often sound detached from the music, providing an accompanying thump that bears little relationship to the sound from the main speakers. Rather than revealing the music's harmonic underpinnings, subwoofers often obscure them in a thick morass of featureless boom. In addition, adding a subwoofer often destroys the qualities of the main speakers that made you buy them in the first placejust to name a few of my observations (footnote 1).
The Random House Dictionary of the English Language defines "myriad," derived from a Greek word meaning "ten thousand," as "a very great number of persons or things." British and unabashedly ambitious, Myryad Systems has set itself myriad design goals for its M-series stereo components: audiophile performance, real-world pricing, convenience, circuit simplicity, common remote-control function, and physical beauty.
Bruckner Symphonies 4, 7, 9
