Apple AirPods Pro 3: First Impressions
Hegel H150 Integrated Amplifier Officially Announced
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Sponsored: Pulsar 121
CH Precision and Audiovector with TechDAS at High End Munich 2025
KLH Model 7 Loudspeaker Debuts at High End Munich 2025
Sponsored: Symphonia
Where Measurements and Performance Meet featuring Andrew Jones
Sponsored: Symphonia Colors

LATEST ADDITIONS

Live Music at the SSI Lifetime Achievement award party

A highlight of the Lifetime Achievement award party was another performance by soprano Sophie De Cruz, this time joined by baritone Julianne Horbatuck, her partner in an upcoming production of Lucia di Lammermoor. She sang Musetta's waltz song from La Bohème, tossing off high notes with abandon, and the two of them blew the roof off the place with a duet from Lucia. Pianist Dominic Boulianne provided unobtrusive but effective support.
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Monitor Audio and Cyrus

Ontario-based Kevro International, which distributes Monitor Audio loudspeakers and British-built Cyrus electronics in the US and Canada, demonstrated a system using a pair of Monitor Silver 10 loudspeakers ($2700/pair in gloss finish) and a stack of Cyrus amplification and digital components (total price approximately $12,000). Apart from lacking a bit of bass weight—surprisingly, given the speakers' size and the sheer amount of bass-driver real estate), the sound was smooth, spacious, and open, with very good melodic flow and momentum.
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Triangle and Hegel

I have found that, under show conditions, some of the sweetest sounds often come from the smallest systems; so it was in the room sponsored by distributor VMAX, where a Hegel H80 integrated amplifier with onboard D/A and five digital inputs, including USB ($2000) drove a lovely pair of Triangle 30th Anniversary Comete loudspeakers ($1800/pair), with a Hegel CDP-2A CD player ($2600) used as a transport.
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What I saw in the VMAX room

Seen in the same room as the Hegel-Triangle system was a frustratingly silent display: one of a pair of brand-new, full-range electrostatic loudspeakers from the Dutch company Essence. Apparently its mate suffered a bit of rough handling, and the people of VMAX decided, commendably, not to trust its high-voltage circuitry before giving the speaker a thorough check-up. In the meantime, keep your eyes peeled for this $4000/pair beauty, the stators of which are created from acrylic using a 3D printer.
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But I like it, too

In one of three rooms sponsored by the dealer Acoustique Technologies, Marten Getz 2 loudspeakers ($23,000/pair) were driven by a pair of Manley 250 "Neo-Classic Design" mono amplifiers ($13,750/pair), in turn driven by a Manley "Neo-Classic Design" 300B preamplifier ($6500) and fed by a Feickert Woodpecker turntable/tonearm combination ($6090) with Dynavector XX2 cartridge ($2150).
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Manley, Meitner, and Nola

Manley tube electronics—the same 300B preamplifier plus a pair of Snapper amps—were used in another Acoustique Technologies room, where they drove a pair of Nola Metro Grand Reference III loudspeakers ($30,900), with the Meitner MA-1 D/A converter ($7000) as a source. I'm sorry to say the Nolas proved impossible to photograph in the back-lit but otherwise dark and very crowded room. And the excessive volume level—and consequently harsh trebles—discouraged me from lingering.
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Luxman and Giya

When I return home from Montreal I'll be able to tell my 16-year-old daughter, truthfully, that I listened to Lorde's "The Royals" on a very good system, the value of which rivals the expected cost of her first two years of college. Included in this Coup de Foudre-sponsored system were a Luxman DA-06 D/A converter ($5000), Luxman C 900 preamp ($19,000), the big Luxman M 900 stereo amp ($19,000), and Vivid Giya G3 loudspeakers ($40,000), used with Cardas cables.
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A very small Eclipse

Dollar for dollar, the TD-M1 wireless loudspeaker system from Eclipse ($1300/pair) was among the most impressive products I heard at SSI. Imported by the American distributor On a Higher Note and displayed at the show by Coup de Foudre, the self-powered TD-M1 system, which includes a built-in digital-to-analog converter, combined Quad-like detail and transparency with exceptional levels of presence and substance. Notably, the system retained those qualities even at very low listening levels.
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