LATEST ADDITIONS

It's five years from now. Wide bandwidth has made audio-on-demand as commonplace as ATM machines and cellular phones were in 1999. Music lovers can plug into the Internet from almost anywhere and download any tunes they wish to hear anytime they wish to hear them for only pennies per song. Portable devices the size of wristwatches contain entire libraries of music. Picture frames, computer screens, and ceiling tiles all double as loudspeakers. Intuitive programs suggest personal playlists based on databases of prior requests. People are awash in a sea of music.

One of the most amazing things about the march of technology is the way quality goes up as prices go down. Only a few years ago, CD recorders were among the rarest and most expensive audio components. Now they're beginning to appear at budget prices.

I am sad to say that Larry Archibald's "The Final Word" column in the November issue, <A HREF="http://www.stereophile.com//thinkpieces/161/">posted</A&gt; this week in this website's "Archives" section, is his last. When Larry, <I>Stereophile</I>'s publisher emeritus, resigned from his salaried position at Emap Petersen at the end of June, he and I had envisaged him continuing to contribute "The Final Word" to the magazine.

Trying to get a grip on where the new high-end audio formats, DVD-Audio and SACD, might be going? A logical place to start might be to check with the factories getting ready to crank out the discs and see how the orders have so far stacked up. After conducting just such a survey, the <A HREF="http://www.recordingmedia.org">International Recording Media Association</A> (IRMA) released last week the first projections for next year's worldwide marketplace introduction of DVD-Audio and SACD.

In recent years, format-driven commercial radio has pushed opera off its playlists. The few remaining classical stations concentrate on the standard symphonic repertoire with only an occasional foray into opera, to the dismay of the genre's many fans.

The Mark Levinson No.30 has enjoyed a continuing residence in Class A of <I>Stereophile</I>'s "Recommended Components" listing since it was reviewed in our February 1992 issue (Vol.15 No.2). Madrigal includes the No.30 in its "Reference" series, by which they mean that the unit will not become obsolete. Thus, when new technology became available, the No.30.5 update was introduced, consisting of a single digital-receiver printed circuit board to replace the original's three boards, and a new digital-filtering board. This revision was favorably reviewed by <I>Stereophile</I> in October 1994 (Vol.17 No.10).

Some of us collect gear from way back, while others have just updated their entire systems. How far back does your equipment go? Anything collectible?