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Crystal Cable's first loudspeaker, the Arabesque, used a complex-shaped enclosure fabricated from glass panels. Three years later, the Dutch company showed the new Arabesque Mini ($25,000/pair plus $1000/pair for matching stands), which uses a small aluminum cabinet with the same "comma" cross-section as the glass speaker, a shape that confers advantages when it comes to controlling the inevitable air-space resonances. A beryllium-dome tweeter is coupled to a long-throw, 1" maximum excursion (presumably peak–peak) 6" woofer. Crystal specifies distortion as being <0.5% from 120Hz to 20kHz, though no spl is given for this specification.

For the past few years, Colorado company YG Acoustics has been exhibiting in a large "air-wall" space in the Sands Convention Center. Their reason for doing so was that it was a great place for a new company to get foot traffic, but the downside was that it took heroic efforts to get sound quality that would indicate what YG speakers were capable of. For the 2012 Show, they had moved to a large suite in the Venetian Tower, and finally they were showing what their $119,000/pair flagship, the Anat III Signature, was capable of.

The second room in which I auditioned YG speakers was the Vitus Audio room, where the Kipod II Signatures ($49,000/pair) were doing their very musical thing. The Kipod uses the same materials and technologies as YG's top-model Anat III and now uses the BilletCore midrange unit and woofer, where the diaphragm is machined from a solid slab of aircraft-grade aluminum. First-generation Kipods can be upgraded to II status.

Jon Iverson already wrote about the Viola Crescendo D/A preamplifier in the Wes Bender Studio room. The New York retailer was also showing the new, leather-covered Hansen Prince E loudspeakers ($30,000/pair), which were making their world debut at CES. This was another room playing the QRP pressing of Shelby Lynne singing Dusty Springfield's "Just a Little Loving," this time on a Redpoint turntable fitted with a Tri-Planar arm and Dynavector XV-1t cartridge. While I felt the earlier Prince V2, which Wes Phillips reviewed a few years back promised more than it delivered in the bass, the bass guitar on the Lynne album positively growled on the Prince Es driven by Viola Forte monoblocks ($19,000/pair), with terrific power.

The BMC (see next story), Ypsilon, and Lansche brands are distributed in the US by Aaudio Imports. Larry Greenhill has already described the new Ypsilon Aelius monoblock amplifier and I auditioned the amplifier in one of the two Aaudio rooms at the Venetian with the new Model No.7 speakers from Lansche ($100,000/pair in satin-veneer finish; $108,000/pair in high gloss).

Rockport Technologies' Andy Payor alerted me before CES that VTL would be using his new Avior speaker at the Show. A three-way design using twin 9" carbon-fiber–sandwich woofers, a 6" carbon-fiber–sandwich midrange unit, and a 1" beryllium-dome tweeter, with Transparent Cable internal wiring, the Avior costs $29,500/pair. Driven by VTL's new S400 II monoblocks, a TL7.5 Series III preamp, YP6.5 phono preamp, and Spiral Groove LP player, the sound of Shelby Lynne singing "Just a Little Loving"—the song of the 2012 Show—sent shivers down my spine. "Deliciously real!" said my notes.

Demonstrated with Concert Fidelity amps and preamp, the Bricasti M1 D/A processor that I review in the February 2012 issue fed by a Loit CD player, and, like many rooms at CES, wired with Kubala-Sosna Elation and Emotion cables, the Estelon XA Diamond ($64,000/pair) produced sound to match the elegance of its styling. Improvements over the standard XA that I auditioned at the 2011 CES include a diamond tweeter, improved midrange unit and woofer, and changes to the constrained-layer cabinet construction.