Vivid Audio Introduces Giya Cu Loudspeakers
KEF Debuts New Finishes for Blade One Meta and Blade Two Meta
Sennheiser Drops HDB 630 Wireless Headphones
Sponsored: Radiant Acoustics Clarity 6.2 | Technology Introduction
PSB BP7 Subwoofer Unveiled
Apple AirPods Pro 3: First Impressions
Sponsored: Pulsar 121
Sonus faber Announces Amati Supreme Speaker
Sponsored: Symphonia
CH Precision and Audiovector with TechDAS at High End Munich 2025
Sponsored: Symphonia Colors

LATEST ADDITIONS

Hot Damn, it's the June Issue

Chord's extraordinary DAVE—"Digital [to] Analog Veritas [in] Extremis (Truth in Extreme)"—D/A processor takes pride of place on its cover, but the June Stereophile is packed full of good stuff. Art Dudley reports on Peachtree's "Made in America" nova300 integrated amplifier; Herb Reichert and Jim Austin live with high-performance preamplifiers from PrimaLuna and PS Audio; Kal Rubinson checks out a two-channel AV integrated amplifier from Arcam; Ken Micallef reviews a truly loud speaker, the horn-loaded Rival from Volti; and Robert Baird listens to great-sounding vinyl reissues of recordings of the legendary pianist Bill Evans.
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Hi-Rez Bach Trios from Ma, Thile, and Meyer

Given the pedigree of its three artists—cellist Yo-Yo Ma, mandolin virtuoso Chris Thile, and bassist Edgar Meyer—this new recording of Bach Trios is destined to become a best-seller. That the hour-long recording is available in multiple formats, including as a Nonesuch CD, 24/96 hi-rez download, LP, and MQA stream via Tidal Masters, and is filled with glorious music graand MQA stream via Tidal Masters, and is filled with glorious music grants it potential appeal to all music lovers, including audiophiles eager to compare formats.
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Munich Milestones for MQA

In anticipation of this week's Munich High End, which takes place May 18–21, MQA has announced several breakthroughs. The first involves its hardware partners, who have expanded to include AudioQuest, CanEver Audio, dCS, Esoteric, IAG, Krell, Lumin, Mark Levinson, Moon by Simaudio, Pro-Ject Audio Systems, TEAC, and Wadax. These are in addition to its existing partners, who include Aurender, Bel Canto, Bluesound, Cary, NAD, Brinkmann, Meridian, MSB, Mytek, Onkyo, Pioneer and Technics. All of the latter are expected to demonstrate MQA at the Munich show, with yet others showing at the Los Angeles Audio Show June 2–4.
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Meet the Manufacturers in Maryland Saturday

Saturday, May 13, starting at 1pm and running late into the evening, JS Audio (4919 St. Elmo Avenue, Bethesda, MD 20814) is holding an Open House. Special guests will include Peter McGrath and Bill Peugh of Wilson Audio; John Quick and Trent Suggs of dCS; Bill McKiegan of Dan D'Agostino Master Audio Systems; Michael Taylor of Nordost; Michael Manousselis of Dynaudio North America; and a representative from Audio Research.
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SOTA Comet turntable

When Tom Norton asked if I'd like to review an entry-level turntable from SOTA, I responded with a resounding "Yes!" I've long felt that there's a conspicuous absence of affordable, good-sounding record players on dealers' shelves. With the AR ES-1 package deals no longer available and the Rega 3 now selling for $775, at $599, SOTA's new Comet promised to be stiff competition for the Basiks, Revolvers, Duals, and Thorenses of the world. Also, due to my tenacious embrace of vinyl, I try to encourage as many music lovers as I can to experience the satisfaction derived from LPs and the fun and excitement of collecting them. If I can point them in the direction of a competent, sanely priced analog rig, I'll consider a good part of my mission accomplished.
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Amrita AMRIT-MiniMonitor loudspeaker

"Amrita" is Sanskrit for "nectar," and indeed, the Amrita owner's manual states that they are confident their speakers "will provide Nectar For Your Ears." Although this Iowa-based manufacturer offers a large range of loudspeakers, I decided that Stereophile should review their small AMRIT-MiniMonitor ($875/pair) after Martin Colloms mentioned in his report from the 1987 SCES in Vol.10 No.5 that it sounded "pleasantly balanced on both rock and classical material." We received a pair for review in the summer of 1988, but it turned out that only one was working, the other having a very restricted low-frequency response below 100Hz. After repeated requests for replacements, Amrita's John Andre personally delivered a pair to Santa Fe in the Spring of 1989. This time, both worked out of the box!
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Shure V15-III phono cartridge

The Shure V15-III is the latest of Shure's top-of-the-line "Super-track" pickups, earlier versions of which we scorned because of their dished-down response in the 6kHz range and their consequent "dead" sound. (We were unimpressed with Shure's suggestion that the pickup cable capacitance be increased to a total of around 300pF, since few audiophiles are equipped to measure either cable capacitance or frequency response).
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Ortofon RS-212 tonearm

The RS-212 is one of the most impressive-looking tonearms we've seen in many a moon. Our first reaction to it, in fact, was much the same as our reaction to the first big, professional Ampex tape recorder we ever saw: it reminded us of one of those precision-engineered and cleanly styled electronic devices you see in hospitals and industrial laboratories—devices which make no attempt to cater to the current fashion in interior decorating or depth-researched consumer preferences, but which are designed simply to do a job neatly and efficiently. This arm, in short, is practically guaranteed to impress your Magnavox-oriented friends with the quality of your phono system, no matter how oblivious they may be to its actual sound.
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