LATEST ADDITIONS

Not too many years ago, high-fidelity movement was being hailed from all quarters (and many halves) as a revolution. In the sense that it took the country storm, and made billions of dollars for many entrepreneurs during heyday, it was indeed a revolution. But now the public has grown tired of high fidelity and is turning other electronic diversions—video, video games, and computering. And what, as of this summer of 1982, do we have to show for the high-fidelity revolution?

The Vivian Girls’<br>
perceptive Cassie Ramone<br>
reads <i>Stereophile</i>.

Exactly six months after we’d seen them perform in Puerto Rico, at that strange island bar, Bamboo Beach (see “Records to Die For,” February 2010, pages 71-72), the <a href="http://blog.stereophile.com/stephenmejias/when_im_gone/">Vivian Girls</a> performed on Saturday night, this time so much closer to home, at Maxwell’s in Hoboken. I bought tickets for the whole crew&#151Rizzo, Fritzy, Papi Chulo, Fuzzy, and Tigga&#151so that, together again for the first time since that memorable trip, we could <a href="http://blog.stereophile.com/stephenmejias/what_happened_in_puerto_rico/… the magic</a>. We ate well, drank too much, laughed, danced, and sang along as the Vivian Girls burned through their energetic set.

I hate audio shows. All those manufacturers and retailers desperately demonstrating their products, knowing how impossible it is to do them justice in a hotel room. They might be saying, "It has gold-plated circuit boards and unobtainium binding posts," but all I hear is <I>Please love it, please love it, oh puhleeze . . .</I>

To celebrate his 30 years with the company, Marantz threw designer Ken Ishiwata a birthday party in the form of an assignment: Design a new, limited-edition integrated amplifier and SACD/CD player bearing his initials. (Only 500 of each will be made worldwide.)

Every job requires a specific tool and replacing the Vivid G1Giya’s midrange unit would take a 6mm hex key, which we didn’t have. On our way to Wes’ place, therefore, John Atkinson and I made a quick stop at the local hardware store and purchased a hex key set. Then, we were ready to get to work.

Near the end of Wes’ auditioning, the domes of both upper-midrange units were inexplicably damaged.