I sat, quietly, in the dirty seat, empty bottles of beer and peanut shells at my feet. My throat was sore from shouting chants and pleas, my hands bruised from fruitless rooting. <i>How could this have happened?</i> As the stadium emptied out, leaving behind only rows of orange and blue paint, an painful truth sank in: This is how it ends.
The Beeb has an animated "front line" Western Front feature. Its only weakness is that it is antiseptic, which <I>that</I> war was definitely not.
Play "Match the kink to the rock star" with Pamela Des Barres.
Gareth Rees calculates that the British archers at Agincourt might have rained 50,000 arrows a minute for a solid eight minutes onto the French. So if you were snorting derisively at the title's combination of "medieval" and "physics," consider this: Agincourt was, essentially, the first battle where conventional cavalry tactics met the equivalent of the machine gun.
Silicon Valley's culture didn't begin with Hewlett and Packard's garage or, for that matter, the "treacherous eight" from Fairchild Semiconductor. The stage was set in 1909, in the wake of the great quake—and at the birth of radio.
The October issue of <I>Stereophile</I> brings with it the magazine's annual Recommended Components list with over 500 entries. What is your number-one recommended component right now? Why?
A moment of silence, please, for the mouse in my shed: I've had a trap there for weeks, baited with peanut butter—I should have just waited for the food poisoning to do its work—and the poor little bastard finally found it.
The great format battle of our time continues to rage between the Blu-ray and HD DVD camps. For many reasons, some discussed in the July installment of this column, this battle may be the last one waged over physical media formats. But whether either or neither format wins, the outcome will be decided on the basis of video quality—issues of <I>audio</I> quality are being ignored. This is unfortunate for audiophiles for two reasons. First, we have a big stake in whatever will be the standard medium for movies and music, but second, this battle makes it apparent that the major forces in the marketplace are ignoring what matters most to us.
The Federal Express delivery man was having a hard time carrying the box containing the Krell KSA-100S up the front steps.
<B>EDDIE DANIELS: <I>...This Is Now</I></B><BR>
Eddie Daniels, clarinet; Billy Childs, piano; Tony Dumas, Jimmy Johnson, bass; Ralph Penland, Vinnie Colaiuta, drums<BR>
GRP GRD-9635 (CD only). Bernie Kirsh, eng.; Eddie Daniels, Billy Childs, prods. DDD. TT: 64:31