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LATEST ADDITIONS

The VandersteenTréo

The Tréo ($5995/pair), shown in prototype form at the 2011 CES, is the latest speaker from Vandersteen. Indications are that it offers the same sort of musical accuracy that characterizes all of Richard Vandersteen's designs. It's a three-way design, with a 1" ceramic-coated alloy-dome tweeter, 4.5" tri-woven composite-cone midrange, 6.5" woven fiber-cone woofer, and an 8" subwoofer. Like other Vandersteen speakers, the Treo is time and phase correct. Through the years, Vandersteen has moved away from the strictly functional appearance of the original model 2 and model 3, and the Treo is perhaps a culmination of this trend: the slim, truncated pyramid is stylish as well as functional. My notes on the makeup of the system playing are somewhat difficult to decipher (I need to take a course in remedial handwriting or start to carry an iPad with me), but I can tell you that it used Aesthetix electronics and a turntable source. The LP of Mary Black singing "Babes in the Wood" sounded smooth and engaging.
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Lawrence Audio Loudspeakers

Taiwan-based Lawrence Audio has three speaker models: the Mandolin ($5500/pair), Violin ($7500/pair), and Cello ($19,000/pair). They're described as being "inspired by musical masters," and, come to think of it, all three speakers bear a resemblance to largish string instruments, with a "belly" that houses the woofer, and the part of the cabinet housing the midrange and tweeter look somewhat like the neck of a cello or string bass. The midrange driver and tweeter are once again based on the Heil design. The system I heard, featuring the Cellos, sounded very promising.
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Loudspeakers by Volent

In my posting on Opera Loudspeakers, I wrote about company names, and how they might suggest something about the product and the priorities of a speaker's designer. In the case of Volent Corporation, I must admit to being puzzled. What does this mean? The Dictionary of Difficult Words defines "volent" as "exercising will power." How does a speaker do that? Finally, going through the company's website, I found the following explanation: "the name Volent [is] derived from the phrase, 'Voice of Excellence': signifying not only the quality of reproduced sound but also the vocal appreciation of music lovers."
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Operatic Opera Speakers

Somebody should do a study, categorizing the names of audio manufacturers. The most common approach is to name the company after the designer, or to use his initials. And then there are all those names that incorporate the word "audio," "sound," "music," and variations thereof. There are names that give no indication of the nature of the company's products, but are just memorable.
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PSB Introduces the Imagine T2 Speaker

PSB's Synchrony One ($5000/pair) is listed in Class A (Restricted Extreme LF) of Recommended Components, and their Imagine T ($2199/pair) is in Class B. At the 2012 CES, PSB introduced the Imagine T2 ($3500/pair), which, according to Paul Barton (seen in my photo), applies the technology of the Synchrony series to the Imagine T. Like the Synchrony One, the Imagine T2 has three woofers, each in a separate compartment, which are driven together at the low end, and as we go higher in the frequency range the second and third woofer are rolled off gradually at the bottom. As with Paul Barton's other designs, the tweeter is mounted below the midrange. Driven by an NAD C390 all-digital integrated amplifier, the sound had superb clarity and detail, with excellent imaging.
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PBN's Liberty Speaker

My show report assignment was speakers under $15,000/pair, whereas John Atkinson would be reporting on speakers over $15,000/pair. But what about a speaker costing exactly $15,000? That was the dilemma I faced when, on my visit to T.H.E. Show, Peter Bichel Noerbaek told me about his latest speaker, the PBN Liberty (named after his daughter, age 9), which has a list price of $15,000/pair. I told him about the problem this presented for me, and he quickly responded by changing the price to $14,999/pair! The Liberty is a floorstanding three-way that uses what Noerbaek calls "inechoic" (not "unechoic") construction. The cabinet weighs 140 lbs. and is made of 48 layers of MDF.
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Amphion

Stephen Mejias has written about Anssi Hyvönen of Amphion, who believes that music reproduction doesn't have to be loud to be effective, and that, in fact, the hallmark of a really good speaker is its ability to be involving at low levels. Amphion's demos always provide for a soothing experience at shows, and so it was at CES 2012, this time using the new Argon7Ls ($5999/pair) with Nuforce electronics.
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Totem's Expanding Elements

Totem is expanding their Element line, which features bass drivers running full-range up to the tweeter’s passband. The latest speaker in this line is the Ember ($4200/pair) a two-way using a 6" Torrent driver designed and made by Totem. Driven by Boulder electronics, a pair of Embers produced a full-range sound, with the sort of bass that made you wonder if there was a subwoofer in the system. Not bad for a 6" driver!
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A Surreal Acoustic Lens

Checking out the Reference 3A speakers (Grand Veena, MM de Capo i, etc.) in Divergent Technologies' room at T.H.E. Show, I noticed that the center of the midrange and mid-bass drivers looked different. Divergent's Tash Goka was not in the room, but the person who was there introduced himself as the one responsible for the modification of these drivers. He's Ricky Schultz, inventor of the Surreal Acoustic Driver Lens, a small plastic device that is glued to the drive's dustcap, and has the effect of broadening the dispersion. The Surreal Acoustic Driver Lens is being incorporated into the production of all Reference 3A speakers. It's an OEM product, not available to consumers, and, according to Schultz, it has the potential to improve the performance of many loudspeaker drivers. He proceeded to provide me with the explanation of how the device works, but it quickly went over my head.
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