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At every Toronto Audiofest, EQ Audio Video hosts the same room and it's easily the biggest one at the show—it's the size of a palatial Austrian ballroom—which the retailer subdivides into several closed-off demos that play at different times. EQ Audio Video owner Ed O'Herlihy knows how to put demos together so they always sound impressive, and this year I got to hear two of the best systems, not only in the EQ room, but at the entire show.

Some products at audio shows create a buzz. They get people excited and raving about them in the venue’s corridors. One such product at this year’s show was the Elac Concentro S 503 standmount speaker.

Monitor Audio was displaying two systems. The first showcased a pair of the company's Studio 89 monitors ($2999/pair, + $799 for Studio 89 stands) and Anthra W12 subwoofer ($3700), fed by a 140Wpc, class-A/B Rotel RAS-5000 integrated amplifier ($3999), while cabling and the component rack, in systems 1 and 2, were by Audience and Norstone, respectively.

Another great-sounding room was the one hosted by retailer Vinyl Sound, a name that, as proprietor of the store, you have to live up to—you have to sell turntables!

As much as these blogs mainly focus on products from Polish companies that, for the most part, have–or are en route to having–a presence in the U.S., a few premieres from companies headquartered elsewhere demand attention. Hence, I took a short trip to Paris for the premiere of the second generation of Devialet’s very first product, the Astra integrated amplifier.

You know how they say that after a while dog owners start looking like their pets? I doubt it's true, but on the premise that it is, I wonder if the same can be claimed about brand names or store names; example: if you opened the "Best Gear Ever " store, would you, even subconsciously, feel compelled to seek out and sell the best gear? Would you try to resemble the name, to live up to it?

As editor, I love it when Stereophile reviews new equipment. "New" attracts readers. But there are good reasons to review stuff that's not totally new (though usually it is still shiny). The best reason is experience, first-hand: You hear a component at a show or in your own system. You're impressed and decide it deserves a closer look.

That's why I'm reviewing the CH Precision L1 line preamplifier ($34,500 in silver), which has been on the market for several years.