Vivid Audio Introduces Giya Cu Loudspeakers
KEF Debuts New Finishes for Blade One Meta and Blade Two Meta
Sennheiser Drops HDB 630 Wireless Headphones
Sponsored: Radiant Acoustics Clarity 6.2 | Technology Introduction
PSB BP7 Subwoofer Unveiled
Apple AirPods Pro 3: First Impressions
Sponsored: Pulsar 121
Sonus faber Announces Amati Supreme Speaker
Sponsored: Symphonia
CH Precision and Audiovector with TechDAS at High End Munich 2025
Sponsored: Symphonia Colors

LATEST ADDITIONS

Audeze LCD2 Classic Open Over-Ear Planar Magnetic Headphones

This story originally appeared at InnerFidelity.com

It's deja vu all over again. Maybe Audeze decided to reverse the trend for ever more expensive headphones. Maybe they were just aware of so many people longing for the LCD2 of old. But whatever the reson, I do like seeing them breath new life into the more affordable end of the LCD line-up with their newly released LCD2 Classic.

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KEF's Jack Oclee-Brown on Making Affordable Speakers

Back in the early summer of 2017, Jack Oclee-Brown, KEF's Head of Acoustics, visited John Atkinson to set up the KEF Reference 5 loudspeakers in his listening room. JA's review of the Ref 5 was published in October 2017, and during Jack's visit JA talked to him about the design of that speaker. But they also discussed KEF's affordable "Q" line of speakers and the challenges a manufacturer faces in bringing an inexpensive loudspeaker to market, the subject of this interview.
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Marchons-nous!

Forgive us for the French but our March issue is about to hit newsstands, tablets, and mailboxes. With Naim's Uniti Nova amplifier and media player on its cover and reviewed inside by Ken Micallef, this issue will provide hours of reading pleasure. It has reviews of speakers ranging from the affordable to the high-priced, from KEF, Monitor Audio, Sonus Faber, Stenheim, and TAD. John Atkinson reviews closed-back headphones from MrSpeakers; Art Dudley reviews Ayre's KX-5 Twenty preamplifier; Michael Fremer auditions moving-coil cartridges from Kuzma and Koetsu; and Jim Austin offers further thoughts on that most controversial of topics, MQA.
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Gramophone Dreams #20: Lounge Audio & MoFi UltraDeck

In my October 2017 column I reported on two turntables, the Palmer 2.5 and AMG Giro G9, each costing $10,000 and up, depending on ancillaries. It wasn't that I wanted to get all Mikey Fremer Uptown on you; I wanted to refine my listening skills and familiarize my senses with what my own humble system would sound like with a pair of world-class record players.
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Tom Jung: I Want More!

Tom Jung of DMP (Digital Music Products) is known as one of digital's early adopters. He's also an outspoken proponent of Sony's Super Audio CD over DVD-Audio. As I was intending to review Sony's first SACD player, the SCD-1, I invited Tom to Kathleen's and my Manhattan loft to investigate further. Tom and son Paul, who's responsible for DMP's sales and marketing, arrived with a passel of big drives, a DSD computer controller, and electronics designed by Ed Meitner.
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Recording of October 1974: Bax Symphony No.5

Bax: Symphony No.5 in c sharp
London Philharmonic Orchestra; Raymond Leppard, conductor.
Musical Heritage Society MHS-1652 (LP, From Lyrita SRCS-58).

Sir Arnold Bax (1883–1953) completed his fifth symphony in 1932 and dedicated it to Sibelius. Its first performance was conducted by Sir Thomas Beecham in 1934. Have any of our major orchestras ever played it? Not to my knowledge, and after over 40 years, it's about time. At least we have it on disc now, in addition to The Garden of Fand and Tintagel. Lyrita has even more Bax in their catalog.

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Musicians as Audiophiles: Jerome Sabbagh

Chances are, if you're a regular Stereophile reader, you're already a fan of tenor saxophonist Jerome Sabbagh. How so? Because our astute crew of writers, editors, and all-round trendsetters have their collective fingers on the pulse of music that matters. Stereophile Contributing Editor Fred Kaplan reviewed Sabbagh's 2015 vinyl release, The Turn, bringing his honed insight to bear on a recording he describes as "spectacular. Sabbagh's sax floats palpably between the speakers, Ted Poor's drumkit crashes and sizzles . . .Ben Monder's guitar sparkles or wails. . . and Joe Martin's bass plucks and thumps like an anchor. Everything is clear, in a wide, deep, seamless space."
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