LATEST ADDITIONS

E<I>ditor's note: For months now, we've been reporting about the the problems and dilemmas created by audio formats such as MP3, which are often used to pirate and illegally distribute music over the Internet. Correspondent <A HREF="mailto:sazanka@yahoo.com">Leonid Korostyshevski</A> offers a decidedly unique Russian spin on the situation. His previous stories are <A HREF="http://www.stereophile.com/news/10131/">here</A&gt; and <A HREF="http://www.stereophile.com/news/10331/">here</A&gt;. Photos were taken last week by Leonid Korostyshevski</I>

Our first article this week is <A HREF="http://www.stereophile.com//features/78/">Illusions, Riddles, & Toys</A>, in which Barry Willis explains what Zeno's paradox has to do with audio nirvana. "We audiofools face just such a riddle in our relentless pursuit of musical realism. I can hear you now: <I>No, say it isn't so. Surely our technology is equal to the task.</I> I'm sorry to tell you that it isn't, and probably never will be."

High-end audio legend Mark Levinson has departed Cello Film and Music Systems, the company he founded 15 years ago, and has formed a new business, Red Rose Music. The new company will break all performance barriers with both affordable and cost-no-object audio equipment, Levinson stated last week, and is already registered as a new business with the state of New York.

The axeman cometh, and cometh again. Seagram Company's Universal Music Group, now the world's largest music conglomerate after last year's $10+ billion acquisition of PolyGram NV, is decimating its ranks. The company has closed the doors of several formerly independent record labels, fired hundreds of employees, and plans to unload thousands more in the next few months. Employees and artists alike will soon find themselves without labels.

Some form of high-resolution digital audio is right around the corner. Whether it's SACD, DVD-Audio, or both, will you be an early adopter, or will you wait until the dust settles?

Our first article this week is <A HREF="http://www.stereophile.com//features/74/">Space . . . the Final Frontier</A>, in which J. Gordon Holt explains both why he feels the High End should abandon two-channel stereo, and why it is misguided in its choice of loudspeakers for stereo reproduction.

One of the classic problems with digital technology is what is known as the "cliff effect": when digital signals reach their limits, they don't fail gracefully like analog ones do---they go off a cliff and crash hard. Not only has the tendency for digital signals to exhibit their limitations noisily in the audio recording and playback environment been a problem for engineers and listeners, the effect on the digital broadcast industry has been tough to circumvent as well---until now.