Apple AirPods Pro 3: First Impressions
Hegel H150 Integrated Amplifier Officially Announced
Sonus faber Announces Amati Supreme Speaker
FiiO M27 Headphone DAC Amplifier Released
Audio Advice Acquires The Sound Room
Sponsored: Pulsar 121
CH Precision and Audiovector with TechDAS at High End Munich 2025
KLH Model 7 Loudspeaker Debuts at High End Munich 2025
Sponsored: Symphonia
Where Measurements and Performance Meet featuring Andrew Jones
Sponsored: Symphonia Colors

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Day 3 of the 2000 CES

Digital perfectionists <B>Meridian</B> obviously pulled out all the stops on their new flagship speaker product, the DSP8000. Checking in at $45,000/pair, the eight-driver Digital Active design is expected to hit the market sometime in March. Meridian claims the three-way powered speaker has a 24/96 digital input on the back and processes the digital signal internally with two 100MHz DSP engines operating with 24/192 resolution. Also on display were the new DSP33s, also Digital Active but more modestly priced at $4500/pair.

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CES: No Easy Anwers for High-End Growth Problems, Panelists Agree

The music business is a $13-billion-a-year industry, but the high-end audio industry reaches only a tiny fraction of the music lovers that number represents. "Everybody loves music, so why don't they love specialty audio?" was the question addressed to a group of industry experts at one of a series of <A HREF="http://www.audiocafe.com/">AudioCafe.com</A>-sponsored panel discussions on Friday, January 7, at the Alexis Park, during the 2000 Consumer Electronics Show in Las Vegas.

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Day 2 of the 2000 CES

High-end audio in trouble? That's been the consensus the last few years, but the sheer number of new products at this year's Consumer Electronics Show hints at a steady trend in the opposite direction. New developments in power conditioning abound, and several brave companies are even testing the SACD/DSD and DVD-Audio waters.

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Judy Spotheim: Seeing & Hearing The Light

Judy Spotheim, maker of the SpJ arm and the gorgeous La Luce turntable that I reviewed a while back for <I>Stereophile</I> (October 1998) and that has subsequently become one of my references for LP playback. She's an intelligent, well-read individual who has a penchant for asking me, "You didn't read that in the manual?!" Ahem. Although the following interview was taped on the phone from her home in the Netherlands, I hope to meet her sometime soon.

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Independent Jazz Gets a Shot in the Arm

It's been a tough year for some of the audiophile record labels, as witnessed by the demise in late November of Mobile Fidelity Sound Lab (see <A HREF="http://www.stereophile.com/news/10614/">previous story</A>). The shock of MoFi's sudden departure even prompted Kimber Kable's Ray Kimber to fire off an e-mail to everyone within virtual reading range, urging them to buy a few audiophile CDs and LPs right now, before it's too late.

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Threshold Service to Debut Soon

Owners of Threshold electronics will soon have an expert service organization available for their amplifiers and preamps. Threshold Corporation national sales manager <A HREF="mailto:CE@thresholdservice.com">Chris English</A> reports that he has assumed the presidency of a new company to be devoted solely to servicing Threshold equipment. Based in Texas, Threshold Service Company will employ factory-trained technicians and engineers, and will offer warranties on all their work.

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Happy New Audio Millennium

The January 2000 issue of <I>Stereophile</I> is actually the last to be published in 1999, so, at the risk of adding to your millennial fatigue (footnote 1), it is appropriate to devote much of this month's magazine to navel-gazing. Robert Baird, Chip Stern, David Patrick Stearns, and Larry Birnbaum examine the state of recorded music, while in the first of two articles, Markus Sauer questions the beliefs that underpin the audiophile world. And this "As We See It" offers an overview of what used to be called "high fidelity."

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