<B>HESPÈRIAN XXI: <I>Villancicos y Danzas Criollas de la Iberia Antigua al Nuevo Mundo (1550-1750)</I></B><BR>
La Capella Reial de Catalunya, Hespèrian XXI, Jordi Savall<BR>
Alia Vox CD 9834 (CD). 2004. Nicolas Bartolomée, prod.; Nicolas de Beco, eng. DDD. TT: 77:03<BR>Performance <B>****½</B><BR>
Sound <B>*****</B>
Nicholas Negroponte, Professor of Media Technology at MIT's Media Lab, is somewhat of a hero of mine, not the least because in his 1995 book <I>Being Digital</I> (Alfred A. Knopf), he mentioned specialty magazines as being a paradigm (of a sort) for the information-rich future. The role of a magazine such as <I>Stereophile</I> is to act as an intelligent (we hope) filter applied to the breadth and depth of human activity. Those who define themselves by their interest in the publication's specialty can therefore go to just one source to find everything of relevance.
There's this really awful joke:
The promise of "perfect sound forever," successfully foisted on an unwitting public by the Compact Disc's promoters, at first seemed to put an end to the audiophile's inexorable need to tweak a playback system's front end at the point of information retrieval. Several factors contributed to the demise of tweaking during the period when CD players began replacing turntables as the primary front-end signal source. First, the binary nature (ones and zeros) of digital audio would apparently preclude variations in playback sound quality due to imperfections in the recording medium. Second, if CD's sound was indeed "perfect," how could digital tweaking improve on perfection? Finally, CD players and discs presented an enigma to audiophiles accustomed to the more easily understood concept of a stylus wiggling in a phonograph groove. These conditions created a climate in which it was assumed that nothing in the optical and mechanical systems of a CD player could affect digital playback's musicality.
John Sands wants to know how other <I>Stereophile</I> readers view the state of high-resolution audio.
From the April 2004 issue, a must-read for all audiophiles: Keith Howard does the SACD and DVD-Audio math for "<A HREF="http://www.stereophile.com/features/404metrics">New Media Metrics</A>." Using a vast collection of informative graphs, KH explores hi-rez attributes and puzzlers. "In the case of SACD, why provide a potential bandwidth in excess of 1.4MHz, only to fill more than 95% of it with quantization noise?"
<I>Stereophile</I> readers are clearly in <A HREF="http://cgi.stereophile.com/cgi-bin/showvote.cgi?327">favor</A> of our <A HREF="http://www.stereophile.com/digitalsourcereviews/934/">coverage</A> of products like Apple's iPod. But judging by some of the comments we receive, they're split on whether it's been a kick in the pants for music lovers or just added to the downward low-rez spiral of digital audio.
Have you ever been to a rock concert and come away mumbling, "Those engineers must be deaf"? After enduring three hours of an all-out sonic assault, you were probably just a tad cranky, but the facts are that those engineers probably <I>were</I> deaf, or well on their way.
It's safe to say that few audio engineers are more famous than Ray Dolby. On May 1, the founder and chairman of <A HREF="http:// www.dolby.com">Dolby Laboratories</A> was inducted into the National Inventors Hall of Fame in Akron, Ohio, joining such luminaries as Alexander Graham Bell, the inventor of the telephone, and Thomas Edison, inventor of the light bulb and the phonograph.
Last week, Primedia announced the next in a series of editorial upgrades to its Home Technology & Photography specialty group. The group is redesigning its <I>Stereophile Guide to Home Theater</I> magazine to become <I>Stereophile Ultimate AV</I> (new URL: <A HREF="http://www.ultimateavmag.com">www.ultimateavmag.com</A>) starting with the June 2004 issue. Hitting newsstands May 11, the redesigned magazine will feature 16 pages of new and expanded editorial content for high-end audio/video enthusiasts, more advertisers, and an enhanced consumer-friendly design.