Vivid Audio Introduces Giya Cu Loudspeakers
KEF Debuts New Finishes for Blade One Meta and Blade Two Meta
Sennheiser Drops HDB 630 Wireless Headphones
Sponsored: Radiant Acoustics Clarity 6.2 | Technology Introduction
PSB BP7 Subwoofer Unveiled
Apple AirPods Pro 3: First Impressions
Sponsored: Pulsar 121
Sonus faber Announces Amati Supreme Speaker
Sponsored: Symphonia
CH Precision and Audiovector with TechDAS at High End Munich 2025
Sponsored: Symphonia Colors

LATEST ADDITIONS

Cary 303/200 CD player

The CD-303/200 is a stout, handsome unit with a thick front panel of black-anodized aluminum (silver is also available) and a beefy, epoxy-coated aluminum chassis. Even the remote control—a heavy aluminum unit with multi-function, backlit buttons—screams "Quality!" Curiously, however, the remote is clad in chrome plate, rather than brushed aluminum or anodized black to match the player. The coup de grace is the CD-303/200's transport mechanism, a Philips CDM12, which is good enough as is; Cary addition of a thick, machined drawer warmed this metallurgist's heart.

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Nagra DAC D/A processor

Without having intended to, I seem to have collected several "statement" products. I've already reported on the <A HREF="http://www.stereophile.com/digitalsourcereviews/781">Weiss Medea</A> and <A HREF="http://www.stereophile.com/digitalsourcereviews/204theta">Theta Digital Generation VIII</A> digital-to-analog converters. I saw and expressed interest in the Nagra DAC at the 2002 Consumer Electronics Show, when prototypes of it were shown along with a forthcoming multichannel version, the Nagra Digital Audio Processor (DAP). The two units are based on the same chassis and interface, the DAP including additional modules and processing.

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Sour Notes in the Music Biz

In one of his old comedy routines, Steve Martin imagines himself hauled into court for bank robbery. He seeks dismissal of the charges on the grounds of forgetfulness. "Your Honor," he pleads, "I <I>forgot</I> that bank robbery was a crime."

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Microsoft HD Audio

As we <A HREF="http://www.stereophile.com/news/010904ces/">discovered earlier</A> this year, Microsoft is trying to make friends with audiophiles. Need more proof? The software behemoth recently announced broad support for what it has termed the "Universal Audio Architecture" (UAA) initiative, which, the company claims, "will help to ensure an improved audio experience and improved audio device driver support for users of Windows."

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Added to the Archives This Week

In a ground-breaking article from May 1990, Robert Harley uncovers the real digital story with "<A HREF="http://www.stereophile.com/reference/590jitter">CD: Jitter, Errors & Magic</A>." Confusion about CD tweaks leads RH "to conduct a scientific examination of several CD 'sonic cure-all' devices and treatments. I wanted to find an objective, measurable phenomenon that explains the undeniable musical differences heard by many listeners where, at least according to established digital audio theory, no differences should exist."

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The Audio Powered Home

Running audio signals around a home's AC power wiring has been a <A HREF="integrated
Integrated http://www.stereophile.com/news/10754/index.html">consumer electronics goal</A> for several years. The reasoning goes that most folks live in homes that cannot be easily rewired for multiroom audio or multichannel surround, so why not use the AC wires that are already in the walls? Think of it as the ultimate solid-core interconnect.

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Industry Roundup

Nowhere is the inflationary cycle spinning faster than in concert ticket prices. The best tickets for performances by major pop and rock stars this summer will be priced in the low-to-mid hundreds. No, that's not a misprint, and it doesn't include "service charges" and other bogus fees tacked on by ticket agencies. Good seats for Eric Clapton's summer tour will be more than $250 each; similar seating at Simon and Garfunkel's "Old Friends" show at the Hollywood Bowl will go for $700, according to "Parsley, Sage and $350 Seats," a revealing look at skyrocketing ticket prices by Ethan Smith in the May 7 issue of <I>The Wall Street Journal</I>.

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