LATEST ADDITIONS

"The large peak at 16kHz reported by <I>Stereophile</I>...was nowhere in evidence...The most probable explanation of this discrepancy is that the [Waveform supertweeter's] very light ribbon depends on the air load for damping, and that load is much smaller in the thin air up there at 7000' in Santa Fe than at altitudes where less lightheaded and scientifically more accountable reviewers dwell." Thus spake Peter Aczel (footnote 1), erstwhile loudspeaker designer and Editor/Publisher of the reincarnated <I>The Audio Critic</I>, a publication that advertises itself as having "unusual credibility among the top professionals in audio."

NORTH MISSISSIPPI ALLSTARS: <I>Electric Blue Watermelon</I><BR>
ATO (According To Our) Records 0026 (CD). 2005. Jim Dickinson, prod.; Roland Janes, Pete Matthews, Kevin Houston, engs. AAD? TT: 49:23<BR>
Performance <B>****</B><BR>
Sonics <B>****</B>

As audiophiles, we all started somewhere, and the important fact is, we all started with a love of music. When it came to music playback equipment, more than a few of us remember the fold-up record player stacked with 45s, or the little transistor radio tucked under our pillow at night with a low-fi, one-channel earpiece attached.

The holiday season is upon us, and if you have someone on your gift list&mdash;especially a youngster, but really, anyone&mdash;whom you'd like to introduce to the wonders of world music, I've got just the ticket. And even if not, read on, because this story will do you good.

And Art Dudley tells me, too. He tells me:

Of course I found this survey on the effectiveness of aluminum foil hats at stopping governmental brainwave manipulation funny&mdash;the first five times I received it!

I'd love to write about something else, but this story keeps going and going and going. Now we have reports that Sony's malware has opened consumers' (yes, <I>customers</I>, people who actually bought their CDs) computers to other malware.