Vivid Audio Introduces Giya Cu Loudspeakers
KEF Debuts New Finishes for Blade One Meta and Blade Two Meta
Sennheiser Drops HDB 630 Wireless Headphones
Sponsored: Radiant Acoustics Clarity 6.2 | Technology Introduction
PSB BP7 Subwoofer Unveiled
Apple AirPods Pro 3: First Impressions
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Sonus faber Announces Amati Supreme Speaker
Sponsored: Symphonia
CH Precision and Audiovector with TechDAS at High End Munich 2025
Sponsored: Symphonia Colors

LATEST ADDITIONS

Our Endless Numbered Ping-pong Match, Or: Music for Frustrated Lovers, Or: The Subliminal Baton

Part of the problem is that I'm almost always thinking about what I should, or could, be writing here on the blog. I'll be in the shower, thinking: "Man, I haven't written anything <i>good</i> lately. Haven't written anything that's inspired discussion. Maybe, today, I'll write about my father and how his alcoholism relates to speaker cables…."

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Magico V3 loudspeaker

The conventional wisdom in publishing is that magazines are dependent on scoops&mdash;that getting the news out to the readers first is of primary importance. Yes, being timely with what it has to say is important for any publication. But soon after I joined <I>Stereophile</I> in 1986, a series of negative experiences with review samples that were little better than prototypes led me to rethink the need for scoops. As a result, I decided to impose restrictions on what we chose to review; this would allow us to focus the magazine's review resources on products that were out of beta testing and were ready for prime time, and, most important, would be representative of what our readers could audition for themselves at specialty retailers, confident in the knowledge that what they heard would be what we had reviewed.

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Paradigm Reference Studio/20 loudspeaker

One of the first affordable loudspeakers I reviewed for <I>Stereophile</I> was the original <A HREF="http://www.stereophile.com/standspeakers/628">Paradigm Reference Studio/20</A> bookshelf model, in the February 1998 issue (Vol.21 No.2). At the time, I felt that the $650/pair speaker was a breakthrough&mdash;although not completely devoid of colorations, its ratio of price to performance set a benchmark a decade ago. I kept the Studio/20s around for several years to compare with other bookshelf speakers I reviewed, and they remained listed in <I>Stereophile</I>'s "Recommended Components" for several years after that. The Studio/20 is now in its fourth (v.4) iteration, so I thought I'd grab a pair to hear how they compared with current affordable bookshelf designs.

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Across Time and Space to You

Her name was E. and the gentle quaver in her soft voice gave me the impression that she was nervous, anxious, young. Something about it seemed sweet, seemed sincere. Which made me want to help her more. She was calling from England, and the connection was crystal clear. I could hear her perfectly, though she was so far away. She was doing research on the high end hi-fi industry.

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Totally Pumped

My first record cleaning purchases: A Hunt EDA carbon fiber brush for dry-cleaning (footnote 1), a MoFi brush for wet-cleaning, a couple bottles of MoFi fluid (Super Deep Cleaner for the really nasty records, and Super Record Wash for the plain old dirty ones), 100 Polyline inner sleeves (because of all the different options these were the least expensive per sleeve, but, at some point, I'd like to try the MoFi rice paper sleeves), and 100 4-mil outer sleeves (because 4-mil seemed just thick enough, and because I liked the packaging).

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