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I am an artist-painter and an audiophile. When I listen to recorded music, I sit in the sweet spot and stare at the empty space between the speakers. And while I listen, I survey and critique the soundfield, as if it were an unfinished landscape painting in my studio.

As I observe the soundstage and the apparitions of musicians within, I notice the dimensions of the recording venue (and/or microphone placement), as well as the physical energy of the entire vibrating illusion.

Has Serinus been demoted? You might well ask. This month, instead of reviewing a $58,000 stereo amplifier, I'm tackling a $599 powered loudspeaker system.

Truth be told, I'm always on the lookout for products that deliver outstanding sound at bargain prices. And since I maintain in my living room a modestly priced system built around powered speakers—this in addition to the far costlier system in my dedicated listening room—it's an easy fit for me to evaluate low-priced products in a real-world context.

CH Precision's massive, versatile, technologically sophisticated, 165 lb M1.1 power amplifier ($54,000 configured for stereo) can easily crush your foot if you're not careful when installing it. But the more important consideration is this: Can this cool gray techno-square sing and dance without stepping on its own feet?

Mark Levinson isn't known as a budget brand, and most people would not consider $8500 a budget price for anything short of a new car. One could argue, though, that Levinson's new No.5805 integrated amplifier ($8500 with DAC and phono stage) is a budget component—combining high performance and build quality with a price tag that's moderate by hi-fi standards. Plus, there's a lot of functionality in one box.

Herbie Hancock: Takin' Off
Herbie Hancock, piano; Freddie Hubbard, trumpet; Dexter Gordon, tenor saxophone; Butch Warren, double bass; Billy Higgins, drums.
Blue Note Records 84109 (LP), 1962, 2019. Alfred Lion, prod.; Rudy Van Gelder, eng.; Don Was, Cem Kurosman, reissue prods.; Kevin Gray, reissue eng. AAA. TT: 39:01
Performance ****
Sonics ****½

From 1962 until now, and counting all formats except downloads, there have been no fewer than 62 releases of Herbie Hancock's debut album, Takin' Off—more than any of his other albums except Maiden Voyage (1965) and Head Hunters (1973). This issue's Recording of the Month comes from an ambitious project referred to by Blue Note Records as the Blue Note 80 Vinyl Reissue Series, which is distinct from the company's Tone Poet Audiophile Vinyl Reissue Series, described in Sasha Matson's interview with company President Don Was in the May 2019 Stereophile.

Stereophile's first change in editorial leadership in 33 years calls for a restatement of the magazine's core principles.

Stereophile was founded in 1962 by J. Gordon Holt, on the premise that the best way to review an audio component is to listen to it. Following Holt as editor, John Atkinson turned that premise into a viable concern—a real magazine—and, in 1989, added a regular suite of measurements to Stereophile's otherwise subjective mix.

I've been the proud owner of a Kuzma Stabi S turntable and Stogi S tonearm since 2001. The combination was an impulse purchase, made after seeing and hearing it in action at Stereophile's Home Entertainment Show at the New York Hilton. Even under unruly show conditions, the Kuzma player created rock-solid images and played music with serious jump factor. With its matte brass finish, tubular bell looks, and overtly industrial design, the Slovenian-made Stabi S/Stogi S was steampunk before steampunk. Looking back, it was one of my best-ever audio purchases.