Alan Lomax, 1915–2002
Alan Lomax, the folklorist and musicologist whose work spurred the folk music revival of the 1950s and '60s, died on Friday, July 19 at a nursing home in Safety Harbor, FL. He was 87.
Alan Lomax, the folklorist and musicologist whose work spurred the folk music revival of the 1950s and '60s, died on Friday, July 19 at a nursing home in Safety Harbor, FL. He was 87.
Love it or hate it, MP3 users are a huge new market, as yet untapped by the music industry. Portable digital compressed-audio players, whether employing Flash memory or compact hard drives à la Apple's iPod, are estimated to begin reaching critical-mass sales numbers around 2006, with an installed base of 24 million units by 2007. Most observers agree that this dramatic growth has been driven, in large part, by the vast quantity of no-fee music that is available in the format, as well as the players' ease of use and flexibility.
Taking the measure of the <A HREF="http://www.stereophile.com//digitalsourcereviews/624/">Chord Electronics DAC64 D/A processor</A>, John Atkinson finds nice things can come in strange packages. "Such is the pace of development in digital technology these days that it is hard not to become convinced that digital playback is a solved problem." But, as JA discovers, not all solutions are identical.
The <A HREF="http://www.nab.org">National Association of Broadcasters</A> (NAB) has initiated its planned appeal of a ruling by the Librarian of Congress that establishes a royalty rate for all Webcasters, including traditional radio stations that stream their programming on the Internet.
<I>Theta makes a power amp?</I>
I don't know who originated the idea of "desert island" recordings. I do know that for many years there was a BBC radio program in the UK that asked celebrities to list their choices. While reading quite a few of those lists, I had the sneaking suspicion that the respondents either hadn't entered fully into the spirit of the task, or were tailoring their choices with a view to what the radio or reading audience would think. (Interior monologue: "I am an anorak-wearing viola da gamba player. Hmmm. <I>Birth of the Cool</I> had better be on my list. <I>London Calling</I>, too, just to be safe.")
In response to last week's question about name brands, many of you mentioned customer service as very important. Do you have an example of outstanding customer service from an audio company?
As some readers may suspect, more music is heard in the automobile than in the home. Taking a clue from this trend, many high-end audio companies are finding their way into your car, and factory installed systems are getting better and better. Examples include the Mark Levinson audio system found in cars from Lexus, the debut of Lexicon's L7 surround system in a BMW at the 2002 CES, Linn's <A HREF="http://www.stereophile.com/news/11285/">partnership with Aston Martin</A>, Harman's partnership with Mercedes Benz, and the Dynaudio/Dolby Surround systems found in several of Volvo's cars.
Historically, radio stations have only partially cooperated with record label attempts to control when and where an important new record is first aired. It's not unusual for a new album or single to be "embargoed" until a specific date by the labels, with stations often competing with each other to find ways to get around this restriction and be first to air a hot new song.