LATEST ADDITIONS

Well into dCS managing director Mike Story's attempted explanation of upsampling, there came an epic moment when the ever-expanding universe of his thoughts—which we had been following to new heights of digital enlightenment—broke free of our collective grip, snapped back on itself, and caused a conceptual implosion of nearly cataclysmic proportions. The blank, spent expressions on the faces of the journalists gathered in the small attic-like meeting room at dCS's Great Chesterford (UK) facility all seemed to say, "What the hell was that? Was it just me, or did you feel that too?"

<B>ROSANNE CASH: <I>Rules of Travel</I></B><BR> Capitol CDP 8 37757 (CD). 2003. John Leventhal, prod., eng. AAD. TT: 39:07<BR> Performance <B>*****</B><BR> Sonics <B>****</B>

How did Michael Jordan, talented as he was at the peak of his powers, <I>always</I> manage to impose his will on his teammates to push them to victory when it counted most? What made Sandy Koufax able to elevate his pitching to a superhuman level when the stakes were highest? A knowledgeable, hardcore sports fan can watch the performance of two players with nearly identical statistics and, after not too long, tell you which one is merely very good and which one is great. What makes a star are intangibles&mdash;those qualities you can't quantify or analyze, but can't help but recognize when you're in their presence.

A classic recording of mythic proportions, Pink Floyd's <I>Dark Side of the Moon</I> still commands attention, both as an artistic and audiophile favorite. Have you purchased the new SACD/CD disc yet? Does it live up to the hype?

Webcasters will pay a new royalty rate to the recording industry, as of April 3.

The DVD-Audio format's been around for a couple of years, but simultaneous DVD-A and CD releases of new music have been few and far between. Warner Brothers is hoping to improve on that record with the upcoming album from Fleetwood Mac, <I>Say You Will</I>.

"Rarely, if ever, can this densely written sonata have been presented so lucidly with each note precisely in place...the dramatic and lyrical aspects were never slighted or taken for granted."<BR>&mdash;Peter G. Davis, writing in the <I>New York Times</I> about Robert Silverman's New York debut in 1978, when he performed the Liszt B-Minor Piano Sonata in Alice Tully Hall.