The Consumer Electronics Show (CES) officially starts Thursday, but tradition has established Wednesday as the day several major consumer electronics manufacturers hold press events, hoping to get their messages across before the full-scale onslaught of dealers.
Last week's poll revealed a wide variety of musical meetings. But if you could choose to meet any musician or composer, no matter when he or she lived, who would it be? Why would that person be your choice?
In a pre–Consumer Electronics Show announcement, <A HREF="http://www.ti.com">Texas Instruments</A> says it has integrated its FireWire (IEEE1394), multichannel audio digital signal processor (DSP), and digital amplifier technologies in a single board to demonstrate an all-digital audio system from source to speaker.
From 1989 and 1992, John Atkinson reviews the <A HREF="http://www.stereophile.com//loudspeakerreviews/744/">Celestion SL600si loudspeaker and the DLP600 digital equalizer</A>. "Given that conventional equalizers are quite correctly regarded in Audioland as being poor-sounding pieces of cheap, amusical junk," JA asks, "what I am doing reviewing what, for want of a better word, is an equalizer?"
In a world where brand is everything and making money is the bottom line, it should come as no surprise that if there's a buck to be made, any deal is possible. But who would have imagined, 30 years ago, that the bad boys and girls of rock'n'roll would be married to the then-much-scorned icon of safe, watered-down elevator music?
<B>STEVE TIBBETTS: <I>A Man About a Horse</I></B><BR> Steve Tibbetts, guitar, percussion; Jim Anton, bass; Marc Anderson, Marcus Wise, percussion<BR> ECM 1814 (CD). 2002. Steve Tibbetts, prod., eng. ADD. TT: 45:07<BR> Performance <B>*****</B><BR> Sonics ****½</B>
If the devil is in the details, then Beelzebub has taken up residence in the collections of cables we use to connect our components. Reviewing the stuff is tough enough, but things are even more difficult for the average audiophile: Inevitably, the wire that sounds fabulous in the store or in your friend's system doesn't work worth a hoot in your own system, and you're left where you began. Equally inevitably, the wire that does work best carries a price more often seen in Tiffany's or Harry Winston. It's enough to drive a hi-fi nut to drink. So relax, pour yourself a nice glass of wine, and sit right back to hear the tale of Robert Lee and his amazing wires...
<B>PATRICIA BARBER: <I>Companion</I></B><BR> Patricia Barber, vocals, piano, Hammond B-3; John McLean, guitar; Michael Arnopol, bass; Eric Montzka, percussion<BR>Premonition/Blue Note 5 22963 2 (CD). 1999. Barber and Michael Friedman, prods.; Jim Anderson, eng. John Larson and Tom Reinholdt, asst. engs. AAD? TT: 58:11<BR> Performance <B>****?</B><BR> Sonics <B>****?</B>
The use of elliptical plastic ports in some loudspeakers has proven expensive for <A HREF="http://www.harman.com">Harman International Industries</A>.