Downloading audio files onto a computer's hard drive has proven a compelling way to collect content for many music lovers. But the weak link with computer-based audio systems is finding a way to play that music on a more traditional (and typically better-sounding) audio system. With a compatible CD or DVD player, you could burn the files onto a disc, or if you have a portable device such as an iPod, you could hook it up directly to your system.
Each month Sony Corporation announces what seems to be an even more drastic cure for its lingering financial malaise. On Tuesday, October 28, the Japanese industrial giant announced that it would reduce its workforce by approximately 13% over the next three years, cutting some 20,000 workers from its payroll, 7000 of them in Japan.
It's rare to find people praising a competitor in this hi-fi business, but I first met John Michell soon after one of his biggest rivals had described him as an "engineer's engineer." Memorably, he'd be the first port of call for anyone in the UK who wanted something done properly and without compromise. Another competitor described him as quite the nicest person he'd worked with, and a naturally gifted practical engineer.
The Home Technology & Photography Group (HT&P) of Primedia and website <A HREF="http://BestStuff.com">BestStuff.com</A> announced today the launch of <I>Best</I>, a shopping magazine focused on the products and experiences that enhance an upscale lifestyle. <I>Best</I>, which hits newsstands on Thursday, November 6 at a $3.99 cover price, is an "aspirational" magazine which offers features ranging from the selection and use of home theaters and high-end audio and video systems, to digital photography, computers, and video imaging products, as well as the finest in automobiles and ultimate travel suggestions.
From the May 2002 issue, Michael Fremer positions the <A HREF="http://www.stereophile.com/showarchives.cgi?951">Odeon La Traviata loudspeaker</A> in his listening lair, writing, "Interest in super-efficient, horn-loaded, compression-driver loudspeakers has grown in the past few years." But as MF finds, horns may not always do the trick.
<B>MAHLER: Symphony 10 <I>First Performing Version by Deryck Cooke</I></B><BR> Eliahu Inbal, Frankfurt RSO<BR>Denon CO-75129 (CD only). Yoshiharu Kawaguchi, Richard Hauck, prods.; Detlev Kittler, eng. DDD. TT: 70:59
Loudspeakers are all about balancing conflicting variables: accepting that you can't have electrostatic transparency <I>and</I> horn dynamics; finding something to suit the size of your room <I>and</I> credit rating; and picking the best all-around compromise to suit your particular taste. Goldilocks had the right attitude for loudspeaker reviewing. All that too-soft/too-hard, too-hot/too-cold merely sets the scene; "just right" goes straight to the heart of the matter.
Now that we know how often you attend classical music events, how often in the past year have you attended live jazz concerts?
<B>HAYDN: Symphonies 99 & 102</B><BR>
Frans Brüggen, Orchestra of the 18th Century<BR>
Philips 434 077-2 (CD only). Sieuwer Verster, prod.; Jaap Bogaart, eng. DDD. TT: 48:57<BR>
<B>HAYDN: Symphonies 100 & 104</B><BR>
Frans Brüggen, Orchestra of the 18th Century<BR>Philips 434 096-2 (CD only). DDD. TT: 53:35
Mirage is a good name for a speaker manufacturer; it suggests that their products produce realistic illusions. A 1934 dictionary I've got supplies a definition for "mirage" that might also be apt: "An optical atmospheric illusion by which the image of a distant object is seen as if inverted." I don't mean that the Mirage OM stands Harry Belafonte on his head, or make him sing "O-Day"—instead, certain tenets of cones-in-a-box loudspeaker design and usage are turned turvy-topsy by Mirage's Omnipolar concept.