LATEST ADDITIONS

<B>Editor's Note: </B>Stereophile<I> writer Richard (Rick) J. Rosen passed away suddenly on Monday August 22, of unknown causes. Rick wrote show reports and the occasional software review for the magazine, but his highest-profile contributions were his "Rick Visits..." series of interviews, where he hung out with music makers, asking them about their systems, of course, but also their relationships with recorded music. The first of these was with famed keyboard player Al Kooper in our October 1995 issue, and I was proud, as an editor, to be able to publish such superbly crafted prose.

<I>Record Q4: </I> Harman International Industries, Inc. (NYSE:HAR) announced record results for the fourth quarter and full fiscal year 2005. Net sales for the quarter were $808 million, compared to $732 million during the same prior year period, an increase of 10%. Net income for the three months was $70.2 million, a 32% increase above the $53 million earned in the fourth quarter last year.

<I>Mom fights back:</I> As we've previously <A HREF="http://stereophile.com/news/020705riaa/">reported</A&gt;, the recording industry hasn't shied away from pursuing individuals it suspects of illegal downloading from peer-to-peer networks through the RIAA's "John Doe" lawsuits, most of which have intimidated the recipients into making out-of-court settlements. This strategy has, on several occasions, made the organization look foolish&mdash;as it assuredly did when it served a deceased 83-year-old.

A little bit of advice can go along way when you are starting out. If you were to impart some words of audiophile wisdom to an audio newbie, what would they be?

It occurred to me recently that, after nearly a decade of specializing in reviewing affordable speakers, and with the exceptions of two entry-level Mission models, I'd never taken a look at recent designs from the large mainstream British speaker manufacturers. So with this review I embark on a Bob Reina "British Invasion" tour to seek out the most innovative and value-conscious designs from companies that have been household names in British stereo shoppes for decades.

"The realistic reproduction of orchestral music in an average room requires peak power capabilities of the order of 15 to 20W when the electro-acoustic transducer is a baffle-loaded moving-coil loudspeaker of normal efficiency."
&mdash;<A HREF="http://www.stereophile.com/news/121503walker/index.html">Peter Walker</A> and D.T.N. Williamson, writing in the <I>Journal of the Audio Engineering Society </I>in 1954

When no one's watching, it's easy to express your opinion. When tens of thousands of people are reading over your shoulder, it becomes more difficult. In fact, it can be downright creepy&mdash;especially when what you're thinking sounds like one of those grand, all-encompassing (over)statements you yourself tend to distrust. You don't want to be wrong; on the other hand, if you're too much of a wuss to express what you <I>really</I>think just because someone might take it as grandiose, then it's time to give up.