LATEST ADDITIONS

I first heard the Totem Acoustic Tab&#249; loudspeakers at HI-FI '96, <I>Stereophile</I>'s Home Theater & Specialty Audio Show at the Waldorf=Astoria in New York City last June. A startlingly realistic vocal recording drew me to Totem's sixth-floor demo room. Vincent Bruzzese, the speaker's designer, was playing Michael Jonasz singing "Si si si le ciel" from <I>la fabuleuse histoire de Mister Swing</I> (WEA 2292-42338-2, imported by May Audio Marketing). The small, two-way Tab&#249; cast a holographic, palpable musical image with clear highs and sizzling dynamic pace. I was bitten, and set things in motion for this review. And two other things drew me to the Tab&#249;: its capacitor-less crossover and its similarity to Totem's <A HREF="http://www.stereophile.com/standloudspeakers/820">Model 1</A>.

I have a theory about "showing off" systems. I call it <I>Zen and the Art of Keeping Your Yap Shut</I>. Think about it: what's the first thing that pops into your head when someone tells you how great their system sounds? "Yeah, <I>right!</I>"

Most Stereophile readers are aware by now of why the full-range electrostatic should, in theory, be the ideal transducer. (If you aren't aware, see the accompanying sidebar.) Acoustat was the first manufacturer to design a full-range electrostatic that was so indestructible it came with a lifetime warranty. (MartinLogan is now offering a three-year warranty on their speakers, and is considering going to a lifetime warranty). But Acoustat was never able to solve another problem that has plagued all flat-panel speakers: treble beaming.

Primedia's Home Technology Group has announced that the Home Entertainment Show 2006 will take place at the Sheraton Gateway Hilton in Los Angeles, CA on June 1-4, 2006. Previous successful events were held in Los Angeles in 1992, 1995, and 1998.

Krell, MartinLogan, Class

It was a classic American tale: hearing that the head honcho of RadioShack was in town, the principals of Oregon-based high-end loudspeaker manufacturer Linaeum found out where he was staying and called him to see if RadioShack would be interested in marketing their speakers. They were rewarded for their daring by being given an introduction to the right RadioShack department head, and before you could say time-coherent, a deal was struck for RadioShack to manufacture a new line of three "audiophile" loudspeakers featuring a version of the unique Linaeum tweeter. The less-expensive Optimus Pro X77 and LX4 models use a baffle-mounted tweeter that radiates just to the front; the top-of-the-line Optimus Pro LX5 reviewed here mounts a bi-directional tweeter on the top of a diecast aluminum enclosure.

Back in the early 1970s, the BBC needed a physically unobtrusive, nearfield monitor loudspeaker for use in outside-broadcast trucks. Accordingly, they instructed their design department, which at that time featured such luminaries as Dudley Harwood (the "father" of the polypropylene cone, who went on to found Harbeth) and the late Spencer Hughes (the "father" of the Bextrene cone, who went on to found Spendor), to produce such a model. Thus, not only was what was then probably the finest collection of British speaker-design talent involved in its development, there were no commercial constraints placed on the design. The only limitations were intended to be those arising from the necessarily small enclosure and the absence of the need for a wide dynamic range under close monitoring conditions.