Pure Sound Warps Time | Revel Performa4 Bookshelf Loudspeaker
Vinyl Bliss: Discover Your Music Universe at Absoulute! #shorts
Klipsch Trumpets 80th Anniversary Klipschorn Loudspeaker at Audio Advice Live 2026
Chad Kassem Tells Us What to Expect at The Vinyl Summit
See How the New HumminGuru NOVA RCM Cleans an LP!
Canvas HiFi Unveils Powered 2-Channel Speaker System at Audio Advice Live 2026
KLH Previews the New Model 4 Loudspeaker at Audio Advice Live 2026
KEF Showcases the New LS Luxe Loudspeaker at Audio Advice Live 2026
Paradigm Premieres a Trio of Premier Series Speakers at Audio Advice Live 2026
Bowers & Wilkins Stands Tall at Audio Advice Live 2026
Vibrant HiFi at SouthWest Audio Fest 2026
Pure Audio Project at SouthWest Audio Fest 2026
Dreamscapes A/V at SouthWest Audio Fest 2026

LATEST ADDITIONS

Listening is Love

Similarly, hi-end audio is a selfless act. We are workers for the world of music and its performers. The thousands of dollars that audiophiles spend on monstrous loudspeakers and thick, slick cables are not shameless self-indulgences, but expressions of grand devotion to the recreation of an expression, an emotion, a feeling! To truly take someone's words to heart. To find yourself in someone else's soundstage. To give yourself away and believe in somebody else's dreams instead of your own.

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Westlake BBSM-6F loudspeaker

I've been musing much of late on what enables some hi-fi components to sound natural while others always seem to add an edge of artificiality to their sound. This dichotomy was examined in last month's "<A HREF="http://www.stereophile.com/asweseeit/109">As We See It</A>," where I asked a representative group of <I>Stereophile</I> writers to discuss the fact that many high-end components regarded as being neutral in their sonic character, with apparently little wrong in their measured performance, can actually sound quite unmusical. This would seem to suggest that the <I>nature</I> of what a component does wrong is of greater importance than the <I>level</I> of what it does wrong: 1% of one kind of distortion can be innocuous, even musically appropriate, whereas 0.01% of a different kind of distortion can be musical anathema.

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The Problem with Henry Fiol

"I'm a New York kid. The idea of me living in a private home and mowing a lawn is just ridiculous. I was born on the streets of New York, I've lived here all my life, I'm an apartment dweller, and I just identify with the city. Native New Yorkers are like a different breed, and that's just who I am."

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