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CH Precision and Audiovector with TechDAS at High End Munich 2025
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LATEST ADDITIONS

A Trojan Horse in Washington

"Tax proposed to fund Public TV, radio," read the newspaper headline. The Working Group for Public Broadcasting, described as a "private study group," was proposing to free public broadcasting "from improper political and commercial influences" by replacing its $228 million in congressional appropriations and $70 million or so in corporate funding with $600 million to be raised from a new sales tax on electronic equipment. The article went on to say that the proposal was being sent to the congressional panels concerned with communications (<I>ie</I>, the commerce committees), where it could become the basis for a new Public Broadcasting Act.

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Silver Rocket

I'm telling you: Matador's <a href="http://blog.stereophile.com/stephenmejias/buy_early_get_now_sonic_youth… Early Get Now</a> plan is the gift that keeps on giving. First of all, I've been streaming <i>The Eternal</i> every day for the last couple of weeks. It's great. Then, with the pre-sale ticket offer, I scooped up four seats (Orchestra, Row C) for Sonic Youth's July 3 performance at the United Palace Theater in Manhattan. Now, I'm freaking out to this shredding, blazing train wreck of "Silver Rocket" from last year's Fourth of July River to River Festival held at Battery Park. I wasn't there.

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A Fool for Everyone

Though he, like many others, moved to New York City as soon as he could, Mike Bones is <i>from</i> New Jersey. Bloomfield, or Belleville, or maybe Bayonne. Somewhere around there&#151somewhere not far from a good view of the Manhattan skyline. You can hear it in his lyrics. Only a boy from New Jersey could write and sing a song called "Today the World Is Worthy of My Loathing."

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Recording of January 1991: 1990 Aragon Jam Sessions

<B>Glasnost Mondial Supergroup: <I>1990 Aragon Jam Sessions</I></B><BR>
Anthony Federici, Michael Fremer, Roland Marconi, Bob Reina, Paul Rosenberg, Rob Sample, vocals; Frank Doris, Steve Harris, Roland Marconi, Paul Rosenberg, guitars; Elliot Kallen, Bob Reina, keyboards; John Atkinson, bass; Allen Perkins, Neil Sinclair, drums<BR>
Bainbridge GMS-1 (CD only). PJ Littleton, Michael Kusiak, Jr., engs.; PJ Littleton, Paul Rosenberg, prods. Recorded live with direct feed to the Colossus Digital Audio System from a single MS-4 surround 4-channel microphone. DDD. TT: 71:42

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Mark Levinson No.331 power amplifier

The No.331 is the latest iteration in a series of Mark Levinson 100Wpc, solid-state, stereo power amplifiers. Extensive cosmetic alterations, internal structural changes, and new circuit designs make it quite different from the No.27 and No.27.5 models that preceded it. These design refinements emanate from Madrigal Audio Laboratories' latest flagship amplifier, the $32,000/pair, 300W RMS Mark Levinson No.33 Reference.

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Rhythm-a-ning with Branford

It’s been several years since I saw Branford Marsalis play live, but if tonight’s late set at the Jazz Standard is anything to go by, let’s just say that his last few albums don’t begin to capture the peaks he’s scaling. He started the set with a slow pure-tone simmer of “Violets for Your Furs,” switched to a raucous original, and, at one point, lit into long, zigzag takes on Monk’s “Rhythm-a-ning,” treating it alternately as a funk fizz, a samba, a syncopated frenzy, and a straightforward Monk tune, each switch ripe with wit, adventure, and wry references reminiscent of Dexter Gordon’s (the deftest were two lines from “Jitterbug Waltz”). He blows hot and cool, intense and insouciant. At 48, the onetime wunderkind (and Wynton bro’) has grown fully into his promise and beyond. Another star of the evening was his drummer, an 18-year-old high-school senior from Philadelphia named Justin Faulkner, who’s replaced the longtime Jeff “Tain” Watts. Faulkner is incredible, klook-a-mopping the trapset with ferocious energy and gigantic ears, picking up on every twist from pianist Joey Calderazzo, expanding the spaces left open, then filling them with endless variations. He has a tendency to play louder as the music grows more intense, but hey, he’s 18. There’s a hint of a budding Elvin Jones here. Go watch and listen. The quartet plays through Sunday. The house was jam-packed.

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