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Emerging technology was also a theme at this CEDIA, even apart from the various 3D video schemes. RoomEQ is, of course, not a new concept and Audyssey treated us to an introduction and demonstration of their new Subwoofer Equalizer that uses the AudysseyPro software and of DSX, their technology for adding additional channels (for width and height) to the standard 5.1 and 7.1 configurations. I have a Subwoofer Equalizer in house now and hope to report on it shortly. In addition, DSX has made its appearance in a new generation of preamp-processors (and AVRs) from Denon, Onkyo, and Integra, so I am planning on experimenting with that, as well, using one of the new Integra processors, the all-inclusive DHC 80.1 ($2300).

Continuing from <A HREF=”http://www.stereophile.com/news/cedia_2009_day_one/”>Day One</A>'s loudspeaker theme, there were several new speakers of some note to be seen and heard at the 2009 CEDIA Expo in Atlanta.

CEDIA Expo 2009 was off and running on Thursday September 10. The two large convention floors in Atlanta are packed with displays and products. The focus, of course, is on video, home theater, home integration and, even, centralized vacuum-cleaning systems. Of greatest interest to audiophiles remains the obvious: we all need loudspeakers! (Well, perhaps not the vacuum cleaner systems.) Unfortunately, the buzz on the floor precludes useful auditions and is so great that even the dedicated sound-rooms suffer from excessive noise. So, you will understand that good looks grab my attention.

It was a bit of good fortune. It was a rainy Saturday afternoon in late August. It was the perfect thing at the perfect time, like Hemingway in autumn or Whitman in winter or a lot of stuff I can't think of right now&#151nothing refreshing, but something comforting: chocolate after wine, the smell of someone familiar when you're feeling all alone, I don't know. Monica had just called to tell me that she was back from her trip; she wanted to meet for a drink. I know very well that Monica is not the right person for me, but sometimes the right person is not what you need, is not the right thing at the right time.

So the big day, September 9, Beatles Day, has come and gone and after being away on a brief trip, I returned this morning to a number of voicemails that began, “Are the Beatles reissues worth the money?”

During the past 10 years, perfectionist audio has garnered for itself an impressive accretion of lore, much of which has never been accepted by the so-called scientific community.

<B>TIM BUCKLEY: <I>Dream Letter (Live in London 1968)</I></B><BR>
Tim Buckley, vocals, 12-string; Lee Underwood, guitar; David Friedman, vibes; Danny Thompson, bass<BR>
Enigma Retro/Straight 73507-2 (2 CDs only). Bill Inglot, Lee Hammond, prods.; Bill Inglot, Ken Perry, John Strother, engs. AAD. TT: 116:42