LATEST ADDITIONS

Craig Oxford and William Carpenter, CEO of Consensus Biotechnology and Consensus Biolabs of Little Rock, happily introduced me to the successors to Pipe Dreams loudspeakers, the HighEmotion Audio Pyra Bella 7 monitors ($6000/pair), Bella Basso 28 subs ($4000/pair, with 2 pairs in use), and Passare XOL crossover ($3000). (I did not audition the second system with the HighEmotion Audio Festune Bass Module). The HighEmotion speakers, which employ "a substantial amount of new technology", are the result of years of research into brain imagining technology, and "the emotional responses to music, auditory system function, physics, and electrical engineering."

I was delighted to discover that AudioPrism, originators of the infamous green pen (aka the AudioPrism CD Stoplight), is still in business. For newbies who do not know about the green pen, Collett and those who reviewed it shook skeptics to the core when they declared that painting the edge of CDs with the green pen lowered digital edge and improved data retrieval. The backlash was tremendous. Then Krell began bathing its CD tray in green light, some people found that green-tinted CD-Rs and then black discs sounded better, CD mats with green undersides made a demonstrable improvement in sound, and the skepticism was transferred to the next tweak on the horizon.

Audio Physic is celebrating their 25th anniversary with the special edition Virgo 25 ($12,500/pair-$14,000/pair, depending on finish), “a miniature version” of the company’s top-of-the-line Cardeus. Partnered with the Virgo 25 at the time I visited was the Trigon CD II CD player ($4000), Trigon Dialog preamplifier ($9000), and Trigon Monolog monoblocks ($18,000/pair). Also on display was the Trigon Energy integrated amplifier ($5000). Supporting the gear was a Creaktiv Trend-Line 1-3 audio rack ($1300) and Creaktiv amp stands ($1000 each).

Dynaudio’s Mike Manousselis pulled me into his room with the familiar sounds of the XX. On display here were T+A’s more affordable R-Series components, less flashy than the V-Series, but no less elegant: G1260 R turntable ($3250 with tonearm; $3600 with arm and cartridge; $4300 with built-in phono), PA1260 R integrated amplifier ($5000), CD1260 R CD player ($3800), and MP1260 R DAC streaming client ($4200, providing internet radio, two USB inputs, and wired or wireless streaming abilities).

It was awesome to see the limited edition <a href="http://www.stereophile.com/floorloudspeakers/dynaudio_sapphire_loudspea… Sapphire</a>, cloaked in a stunning clear blue piano lacquer over a veneer of bird’s eye maple. The sound was just as fine: cymbals and horns had a natural bite, without edge or glare, blooming and blooming and blooming into the room.

If the Soundsmith room had been a van, it would have been rocking. (Hee-haw.) Seriously, there was a party going on in here and Peter Ledermann was the master of ceremonies, cueing up one record while a second was playing. But before I could take a seat, I was mesmerized by this awesome-looking device, the Soundsmith Cartright ($899.95, due early 2011), which resembles some sort of old-school, psychedelic Electro-Harmonix stomp box, but promises to simplify cartridge setup.

I caught up with the always affable Lars Goller of Gamut who was very proud of the company’s new S Series speakers. Here we see Goller standing beside the S5 ($30,000/pair), which boasts a very attractive cabinet made of form-pressed solid wood over multi-layered Finnish Beech ply. Externally machined canals in the speaker’s side panels divide the speaker into segments to better control vibrations and minimize coloration, Goller explained. In addition, two large port openings of 5mm-thick solid machined aluminum are threaded directly into the speaker’s rear panel to minimize port turbulence and noise.