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LATEST ADDITIONS

PSI Audio AVAA C20 electronic bass trap

"Bass—the final frontier," declared Captain James T. Kirk. I have no doubt: The biggest problem in nearly every listening room is getting the bass to sound right. Today, we voyage to the frontier of bass response.

A Brief History of Time
Because my listening room is also a mastering room, it has to be as accurate as possible (see photo 1). The floor is a concrete slab, with solid-block wall construction and a cathedral ceiling 23' high at the rear—there are no floor-to-ceiling resonances. A bay window hidden behind the curtains disperses the lengthwise room mode by varying it between 18' and 20.6'. The curtains tighten the stereo image and damp the subtle resonant chamber that would otherwise color the sound.

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Listening #162: Tavish Adagio phono preamplifier

Though Westchester County, New York, seems a likelier locale for Bikram yoga studios, pet psychologists, and pricey restaurants specializing in "grain bowls" and fermented vegetables, the idea of manufacturing audio gear there is not without precedent. Cartridge manufacturer Micro-Acoustics (Elmsford, NY) thrived there for over two decades. George Kaye and Harvey Rosenberg's New York Audio Laboratories (Croton-on-Hudson, NY) assembled Moscode amplifiers there. Even the notorious loudspeaker manufacturer Fourier Systems (Yonkers, NY and Cocytus, Hell) got their start in the county that Hillary Clinton calls home, as needed.
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