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LATEST ADDITIONS

Continuing the Legacy

Visiting Kara Chafee of de Havilland, whose amplifiers invariably grace music with a wonderful sense of air, enabled me to take a first listen to Cable Research Lab (CRL) cables. CRL's mid-level "Silver" line is a very recent recipient of a "Product of the Year Award" from a certain publication known for its absolutism. Another very positive publication fed CRL an award in 2007.

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An Honest Connection

CES presented me with my first opportunity to make the acquaintance of Stephen Hill and Straight Wire. The Florida company has just released a "push prong" re-usable, solderless RCA plug that makes Straight Wire cable termination a snap. Especially appealing to custom installers, the termination actually leads to a higher level of performance by enabling quick silver-plated termination without piercing cable insulation.

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Getting Pure

Jim Aud of Purist Audio Design has released several new products. The diminutive Digital Isolation Adapter ($300) plugs into the S/PDIF output of a CD transport or music server with then the RCA digital cable that connects the transport and DAC plugged into it. The Adapter is claimed to electrically isolate the transport to the DAC, reduce jitter via control of the 75 ohm impedances, and reduce EMI/RF noise.

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System Building Rules—and How to Break Them

Much has been made of the influence that Linn, Naim, and Rega have had on our ideas about music-system hierarchies: Before they and a handful of other British audio manufacturers kicked off the debate in the 1970s, the conventional wisdom worldwide was that the loudspeaker was more important than the record player, amplifier, or any other link in the domestic audio chain, and thus deserved to be the object of significantly greater care and attention, not to mention investment of cash. But the Brit-fi approach was different, and ostensibly better reasoned: Because musical information that's distorted or dropped entirely by a record player, a CD player, or any other source can't be made right by any other component in the system, it is the source that must be considered the most important component of all, and to which the majority of funds should be allocated.
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Give Me a Tenor

Tenor's promised Tenor Pre preamplifier ($40,000) is a hybrid, using tubes for the input stage and MOSFETs for the output. It should be available in two months. As a whole, the Tenor system (fleshed out with Hansen Emperors and Kubala-Sosna cables) was outstanding.

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On the Lamm

Lamm was driving the new Wilson Maxx series 3 with its 32Wpc ML3 <I>Signature</I> SE triode monoblocks ($139,290/pair). It was my first chance to hear either, so I can't tell you if it was the speakers or the amps that were making the magic happen, but happen it did.

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