Do you listen to rap or hip-hop music?
Time to bust or confirm an audiophile stereotype: David Chesky is wondering if you ever listen to rap or hip-hop music?
Time to bust or confirm an audiophile stereotype: David Chesky is wondering if you ever listen to rap or hip-hop music?
Monday is a holiday. President's Day. I am happy about that. I need a day off like our country needs a stimulus package.
I have loved Drag City for many, many reasons including: Royal Trux, Silver Jews, Red Krayola, Fucking Champs, Joanna Newsom, Bill Callahan, Jim O'Rourke, and more.
Last week I participated in Music Matters IV, the latest in a series of evening events at <A HREF="http://www.definitive.com/">Definitive Audio</A> in Seattle. It was my first time, so I didn't know what to expect.
Excuse me while I slip into something a little more comfortable.
The last outstanding editorial piece of our April 2009 issue is now being magically teleported to our pre-press peeps. JA says that means it's "beer o'clock" for me and "Chardonnay accompanied by Jello Shots o'clock" for Pip.
Me, too, Chan. I've lived in bars, too!
These are my MIMOBOT flash drives. In theory, these cute little guys would go back and forth, delivering InDesign and image files, between me and our graphic designer, Pip. That's how we make the magazine, you see: We pass files back and forth and <i>voila!</i>
Unless you've already acquired a large collection of SACDs, buying a player in 2009 necessitates an act of faith similar to the one turntable buyers faced back in 1992. As with the LP back then, the major labels today have all but abandoned the SACD to such niche players as Chesky, Proprius, Harmonia Mundi, Pentatone, Channel Classics, 2L, Telarc, Mobile Fidelity Sound Lab, Groove Note, and Acoustic Sounds.