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LATEST ADDITIONS

Simaudio Moon Evolution P-7 line preamplifier

Over the years, I have become increasingly impressed by the quality of the audio engineering emanating from Simaudio, which next year celebrates its 30th anniversary. In a world where the US facilities of some well-known audio brands have been reduced to a design office coupled to a warehouse for storing product manufactured overseas, this Montreal-based manufacturer, in order to keep full control over quality and hence reliability, does as much manufacturing as possible in-house, including metalwork, some printed circuit-board stuffing, and assembly. (See my photo essay starting <A HREF="http://forum.stereophile.com/photopost/showphoto.php/photo/856">here</A…;.)

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Listening #75

During a century of development of the phonograph, dozens of different things have been considered crucial to its performance: lack of bearing noise, lack of motor noise, freedom from runout error in the platter, high moment of inertia in same, immunity to all manner of unwanted vibration, and so forth. But now I wonder if the most important factor of all hasn't been overlooked, or at least misunderestimated, throughout much of that time: Could it be that motor <I>torque</I> is more critical than any of us imagined?

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Recording of March 1991: Tune In Tomorrow

<B>WYNTON MARSALIS: <I>Tune In Tomorrow</I></B> (soundtrack)<BR>
Wynton Marsalis, trumpet; Alvin Batiste, Dr. Michael White, clarinet; Wes Anderson, Harvey Estrin, alto sax; Todd Williams, tenor &amp; soprano sax, clarinet; Joe Temperley, baritone sax; Herb Harris, tenor sax; Wycliffe Gordon, trombone; Marcus Roberts, piano; Warren Bernhardt, Lucky Peterson, organ; Reginald Veal, bass; Herlin Riley, drums; Johnny Adams, Shirley Horn, vocals<BR>
Columbia CK 47044 (CD only). Tim Geelan, eng.; Steve Epstein, Delfeayo Marsalis, prods. DDD. TT: 63:37

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A Meeting with Phiaton

I'd been curious about Phiaton's headphones ever since Wes Phillips's positive review of the radical-looking, leather-clad <a href="http://www.stereophile.com/headphones/phiaton_moderna_ms_400_headphones… MS 400</a> appeared in our pages earlier this year, so when I learned that a couple of Phiaton's executives would be in New York City to introduce their new noise-cancelling 'phones, I was eager to check them out.

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One Night Stand!

The music begins before he arrives. There are horns and hollers and hand claps. Then comes the MC: "Right now, ladies and gentlemen, we'd like to introduce the star of our show, the young man you've all been waiting for, Mister Soul! So, what d'you say? Let's all get together and welcome him to the stage with a great, big hand! How 'bout it?! How 'bout it?!"

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Aurum Cantus V2M loudspeaker

In the March 2008 <I>Stereophile</I> (Vol.31 No.3), I <A HREF="http://www.stereophile.com/integratedamps/308cay">wrote favorably</A> about the A-50T integrated amplifier from the Chinese company Cayin Audio. I was very impressed with its sound, appearance, and construction quality for the price: $1295. This positive experience led me to look into what other products Cayin's importer, VAS Industries, distributes here. More often than not, when a keen ear imports an interesting product into the US, that ear has also heard the good sounds of other products, as attested by the diverse product lines of distributors such as Music Hall and Sumiko. It turns out that VAS distributes Chinese loudspeakers made by Aurum Cantus, including seven two-channel models. I chose the entry-level design, the two-way V2M bookshelf speaker ($1890/pair), which combines a ribbon tweeter with a dynamic mid-woofer cone.

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