Monitor Audio Platinum 200
<I>Stereophile</I> readers often wonder about how products are chosen for review, and, as I said at the SSI "Ask the Editors" panel discussion, the Monitor Audio Platinum 200 provides a case in point.
<I>Stereophile</I> readers often wonder about how products are chosen for review, and, as I said at the SSI "Ask the Editors" panel discussion, the Monitor Audio Platinum 200 provides a case in point.
i saw a familiar face when I went into the Veloce room, as Mark Conti, who designed the unusual Impact speakers from a few years back, is now involved in this line of battery-powered amplification. My eyes were attracted by the Veloce Platino LFT-1 linestage in the photo ($12,500), which will run for 70 hours before needing recharging, but driving the Marten speakers in the room via Purist cables was a pair of battery-power monoblocks ($12,000/pair). Battery power? Yes, the input stage, based on a 6922 tube, is transformer-coupled to a high-efficiency class-D output stage based on the Hypex module designed by famed Dutch engineer Bruno Putzys. A charge will last 40–80 hours depending on the speaker's load impedance, Mark told me.
Like many <I>Stereophile</I> readers, I read with great interest, and a certain amount of incredulity, Jason Victor Serinus's rather gushing <A HREF="http://blog.stereophile.com/ces2009/worlds_finest_headphones">CES report</A> on the Sennheiser HD800 headphones. Now, I have a lot of respect for JVS's opinions—we share an appreciation of opera and other vocal music, and we're both great fans of Fritz Wunderlich—but, reading his report, part of me was intrigued and another part was thinking "Come on, Jason, these are just headphones, what's the big deal?"
Stephen Mejias <A HREF="http://blog.stereophile.com/ssi2009/best_music_of_show/">reported a couple of days ago</A> on the excellent sound being made in the room featuring DeVore Fidelity's Gibbon Nine speakers, driven by a Leben integrated amplifier. I was equally impressed when I auditioned a Curtis Mayfield live album in this all-analog room, played on the Clearaudio Champion Wood turntable fitted with a Clearaudio Unify arm with a carbon-fiber armtube and an EMT JSD5 MC phono vcartidge.
Component supports take a variety of forms: squishy, rubbery things; hard, pointed things; ball bearings (loose or constrained); air or liquid bladders, etc. The Spike component supports, imported by Divergent Technologies, were a new one for me: they use magnetic levitation. Now, I'm familiar with platforms using this principle, but these are individual component feet, each with opposed magnetic components. A box of these "Spikes" contains four such feet, and the price for the total is CN$200. I was surprised that magnets could be made strong enough in this small size to be able to support equipment of substantial weight—hich they apparently can.
I <i>adored</i> the sound in the small Son-Or-Filtronique room with the Audio Research VSi60 integrated amplifier, Audio Research CD8 disc player ($10,000), Verity Audio Finn loudspeakers ($6000/pair CAN), and Shunyata cables. Adored it.
Son-Or-Filtronique's Dany Poulin stands with the Verity Audio Finn. Paired with the Audio Research VSi60 integrated amplifier and CD 8 disc player, the Finns, which are rated at 91dB efficiency and use a rear-firing woofer, were making some <i>gorgeous</i> sounds.
What a cool piece of gear: Handmade in Plymouth, Minnesota, the Audio Research VSi60 vacuum tube integrated amplifier ($4000) is a fairly compact unit (14" x 8" x 16") that delivers 50Wpc. Its milled top plate has an inset AR logo, while its striking front panel has super-cool function and volume LEDs on the left and totally caressable, soft-touch buttons on the right.
No, it's not the fact that the Sheraton Centre bar is not absolutely teeming with people. They're in the exhibitors' rooms, listening to music.