Through a Glass Clearly
"Experience which is not valued is not experienced....Value is at the very front of the empirical procession."</I>—Robert M. Pirsig, <I>Lila</I>
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Joint Recordings of December 1990: Fish Out Of Water & The Widow In The Window
<B>CHARLES LLOYD QUARTET: <I>Fish Out Of Water</I></B><BR>
Charles Lloyd, tenor sax, flute; Bobo Stenson, piano; Palle Danielsson, bass; Jon Christensen, drums<BR>
ECM 1398 (841 088-2). TT: 57:50<BR>
<B>KENNY WHEELER QUINTET: <I>The Widow In The Window</I></B><BR>
Kenny Wheeler, fluegelhorn, trumpet; John Abercrombie, guitar; John Taylor, piano; Dave Holland, bass; Peter Erskine, drums<BR>
ECM 1417 (843 198-2). TT: 61:17<BR>
<I>Both</I>: CD only. Jan Erik Kongshaug, eng.; Manfred Eicher, prod. DDD.
While My JVC Vibrates the Concrete
Lyle Owerko likes boomboxes.
Sonny & Linda Sharrock: Paradise
One of the records we listened to <a href="http://blog.stereophile.com/stephenmejias/at_the_monkeyhaus/">at the Monkeyhaus</a> last week was Sonny & Linda Sharrock's <i>Paradise</i>—a powerfully uplifting record, in my opinion. Sonny Sharrock, however, did not feel the same. In a 1989 interview with WKCR's Ben Ratliff, Sonny dismissed <i>Paradise</i> as being "not a good album," and attributed the album's failure to his own incompetence as a bandleader.
The Good News Is
Last week, we moved—from the sixth floor of 261 Madison Avenue to the fifth floor of 261 Madison Avenue. The good news is abundant:
Bust and Booms on the Download Front
With good news to share about new downloads, let's dispense with the downer first. As <A HREF="http://www.twice.com/article/CA6661607.html?nid=2402&">reported by Twice.com</A>, HDGiants, aka MusicGiants, filed for Chapter 11 bankruptcy in US Bankruptcy Court on May 18. Although the site, often praised by <I>Stereophile</I> as a leader in CD-quality and high-resolution music and video downloads, still appears to be operating, the layoff of its sales and marketing staff raises serious questions about its future.
Joe Lovano & Us Five
Joe Lovano’s <I>Folk Art</I>, his 22nd album on the Blue Note label, is an odd, sometimes jarring record—it took a few hearings before I found my bearings—but once the fragments snap into place, it’s a rousing pleaser, bursting with indigo moods, heart-skipped romance, and free-flow funk riffs. Lovano plays all kinds of reeds—tenor sax, straight alto sax, clarinet, and, on one song, the aulochrome, a Hungarian-built horn that’s a double soprano sax (attached to one reed), each side tuned to a different key, so that you blow melody and harmony simultaneously. He plays with a somewhat hardened tone, reminiscent of Sonny Rollins, but with a more soulful sensibility, stemming from his Midwestern roots (his father was a tenor blues saxophonist in Cleveland), though over the past couple decades, he’s played with, and gleaned ideas from, a wide variety of masters, including Hank Jones, Gunther Schuller, and Mel Lewis, to name a few.
Music Makes Us Human
I've been reading Daniel Levitan's <I>The World in Six Songs: How the Musical Brain Created Human Nature</I>, which makes pretty strong claims for the importance of those tones in time. (Neil McCormick conducted an interesting <A HREF="http://blogs.telegraph.co.uk/neil_mccormick/blog/2009/04/09/evolution_o…; with Levitan in <I>The Telegraph</I>.)
Do you subscribe to any music magazines? If so, what do you subscribe to, and if not, why not?
Sure, there is a ton of information about new music available online, but sometimes holding it in your hand is better still. Do you subscribe to any music magazines? If so, what do you subscribe to, and if not, why not?
As We See It: Between the Ears
Audiophiles constantly seek ways to improve the experience of hearing reproduced music. Preamps are upgraded, digital processors are compared, turntables are tweaked, loudspeaker cables are auditioned, dealers are visited, and, yes, magazines are read—all in the quest to get just a little closer to the music.