LATEST ADDITIONS

$13,000! You could buy two Hyundai Excels for that kind of money. Or one 5-liter Ford Mustang. Or two-thirds of a Saab 900 Turbo. How could the purchase of this Accuphase two-box CD player be justified on any rational grounds? What if it did offer state-of-the-art sound quality? Would it really be 50 times better than a humble Magnavox? Would it even be 4.3 times better than the California Audio Labs Tempest II CD player? And would it approach the sound quality routinely offered from LP by the similarly priced Versa Dynamics 2.0 turntable?

Wednesday, July 23, and Thursday, July 24, 6 to 9pm: Hosted by North Carolina’s Audio Advice, Digital Living 2014 will take place on Wednesday, July 23, in Raleigh (8621 Glenwood Avenue), and again on Thursday, July 24, in Charlotte (11409 Carolina Place Parkway, near Carolina Place Mall). Representatives from Sony, Sonance, Savant, Lutron, Classé, Bowers & Wilkins, and AudioQuest will present their latest products, all with the goal of simplifying, improving, and creating a more enjoyable modern digital home. AudioQuest’s Steve Silberman and Jett Logan will share the significant impact high-quality cables can have upon the ubiquitous Apple TV media streamer.

“Until now, rock ‘n’ roll has largely been viewed as a bolt from the blue, an overnight revolution provoked by the bland pop that preceded it and created through the white appropriation of music that had previously been played only by and for blacks,”

Bach-Malloch: The Art of Fuguing
The Sheffield Ensemble and California Boy's Choir, Lukas Foss, cond., recorded live at First Presbyterian Church, Hollywood.
Town Hall Records S-20 & S-21 (each 2 LPs, 1979), Sheffield Lab 10047-2-G (CD, 1995). Lincoln Mayorga, prod., Ron Hitchcock, eng., Lincoln Mayorga Doug Sax, CD mastering eng. AAA (LP), AAD (CD).

These 2-disc albums are of unusual interest for several reasons. First, although both are of exactly the same program material, there were recorded with completely different microphone techniques. One was done with the usual (for commercial recordings) multi-microphone set-up and mixdown (S-20). The other (S-21) was done with a single stereo mike—the technique preferred by most audio perfectionists. [This is the version on the 1995 CD reissue—Ed.]

Take a break from the heat and dive in to some fine sounds. The Las Vegas Audio Club is delighted to announce that on Saturday July 19, 2–5pm, Philip O'Hanlon from On A Higher Note will present the Luxman DA-06 DAC, PD-171 turntable (both reviewed by Stereophile's Art Dudley) and the L-590aX integrated amplifier driving the Vivid B1 loudspeakers, reviewed by John Atkinson.

Charlie Haden, one of the great jazz bassists, died this morning, at age 76, after a long illness.

It seems more and more that I'm reviewing equalization products in this column, and that such components are less often dealt with in the magazine's formal equipment reports. But it's not as if the problems created by room acoustics affect only multichannel systems. Stereophile has not ignored the topic—see the many reviews of physical and electronic room-treatment products posted on this website—but months can pass without publication of a review of such a component. Meanwhile, multichannel devotees such as I seem to talk about almost nothing else—and here's why.