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One of the nicest surprises at any audio show is encountering a new—to me, at least—manufacturer whose products seem to stand out from the competition. At the 2002 Consumer Electronics Show, one such standout was the Kirksaeter line of loudspeakers from Germany. I spent quite a few minutes listening to and enjoying the performance of these modestly sized and priced speakers, but since my writing assignment was electronics, I tucked the experience away in the back of my mind and moved on.

Rogue Audio's Magnum Ninety-Nine tubed preamplifier is derived from the original Rogue Sixty-Six that I <A HREF="http://www.stereophile.com//amplificationreviews/289/">reviewed in October 2000</A>. The Sixty-Six was designed to offer consumers a taste of high-end performance in a vacuum-tube line stage. By constrast, the Magnum Ninety-Nine's pedigree is pure audiophile, with a more sophisticated mu-follower circuit topology aimed at the purest expression of performance.

Modern hi-fi is little more than a way of getting electricity to pretend that it's music. Of course, good source components remain all-important, and even if loudspeakers <I>are</I> imperfect, most of us can find one or two that suit our tastes, if not our rooms and the rest of our gear.

The past year has been a busy one for Hilary Rosen, CEO of the Recording Industry Association of America (RIAA). She suffered a <A HREF="http://tirian.magd.ox.ac.uk/~nick/UnionDebate/">humiliating defeat</A> at England's <A HREF="http://www.oxford-union.org">Oxford Union Debates</A>, celebrated <A HREF="http://www.stereophile.com/news/11548/">new agreements</A> with Silicon Valley companies, and led her organization in the attack on file-sharing service Kazaa. Rosen and the RIAA have also attacked college kids and put pressure on universities to police their students.

One of the more intriguing discussions we had at last week's Consumer Electronics Show (CES) was with Jim Weil of Berkeley, CA&ndash;based <A HREF="http://www.soundapplication.com">Sound Application</A>.

With the February issue hitting newstands, it's time once again to honor those twirling discs that also made our heads spin, with "<A HREF="http://www.stereophile.com//records2die4/754/">2002 Records To Die For</A>." <I>Stereophile</I>'s staff and writers all check in with their eclectic batches of musical heaven.

The digital music market balances on at least five legs: software producers, technology developers, electronics manufacturers, consumers, and regulating bodies. So, can a two-legged agreement stand? That's the question industry watchers are asking as representatives of two groups, the Recording Industry Association of America (RIAA) and the technology sector, announced that they have reached agreement on a "core set of principles" to guide their public policy activities regarding the distribution of digital content.