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Audio retail revival: Electronics retailers throughout the US are ramping up their commitment to audio separates, according to a June 21 report by Joseph Palenchar in <I>TWICE</I> (This Week in Consumer Electronics). Palenchar describes the new emphasis on audio components as a response to declining margins on "home theater in a box" (HtiB) systems. Through April of this year, factory-to-dealer audio component sales rose 29.8% to $344.6 million, with April sales up 41.9%, hitting a four-year high of $86.9 million.

Will surround sound rejuvenate the music industry? That's the position many record label execs took when adding the capability to DVD-Audio and SACD years ago. But while they wait for the high-rez formats to catch on, <A HREF="http://www.srslabs.com">SRS Labs</A> has decided to add multichannel audio to the conventional compact disc.

Brian Damkroger listens long and hard to the <A HREF="http://www.stereophile.com/digitalsourcereviews/604primare">Primare D30.2 CD player</A> noting, "Primare is reluctant to provide much technical detail about their designs, preferring to let their products do the talking." So after a little chatting, BD files his report.

The NHT Xd DSP powered speaker demo was held at the Plaza Hotel in New York City last week and representatives from <A HREF="www.nhthifi.com">NHT</A&gt; and its supporting cast, <A HREF="http://www.deqx.com/">DEQX</A&gt; and <A HREF="http://www.PowerPhysics.com/">PowerPhysics</A&gt;, opened by explaining the philosophy behind the new product and the essential components they each contributed (also see <A HREF="http://www.stereophile.com/news/022304nht/index.html">previous</A&gt;).

Music copyright issues have been in the new of late, with the RIAA and music labels looking for stricter laws, and many consumer groups looking for more slack. What are your feelings about copyright when it comes to music?

The Placette Audio Remote Volume Control is simplicity itself: a paperback-sized black box with one set of unbalanced inputs and outputs, a toggle switch (and a remote) to change the level, and a row of LEDs that light up to indicate the relative volume level. The signal path, too, is simple, with only a stepped attenuator between input and output. But this is not just any attenuator&mdash;it's a 125-step model built entirely with super-premium Vishay S-102 foil resistors.

The first time I heard an Audio Note preamp was seven or eight years ago, when I sampled their entry-level M1&mdash;a refreshingly musical thing that brought the same kind of color and drama to preamplification that Audio Note's more famous products brought to the driving of speakers. And the M1 cost only $1250 at the time, with phono stage. (Newcomers, please don't wince: That's awfully cheap for what it was.)