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MartinLogan Depth powered subwoofer

"You certainly love weird music!" my wife yelled from the kitchen. This just reconfirmed my suspicion that reviewing subwoofers is a lonely job that brings no respect. What's so weird about the droning of Tibetan temple horns accompanied by the chants of Tibetan Gyuto monks, all framed by a powerful synthesizer in Philip Glass's soundtrack to <I>Kundun</I> (CD, Nonesuch 79460-2)? What's so strange about the karate-like cries of the drummers in the Kromata Percussion ensemble as they smash away at their timpani and gongs in Yoshihisa Taira's <I>Hierophonie V</I> (CD, BIS CD-232)? What's so odd about the shuddering majesty of 25Hz notes played by Harry Partch's one-of-a-kind Eroica Marimba, heard on his <I>Delusion of the Fury</I> (LP, Columbia M2 30576)? Why would any spouse object to the primitive, driving synthesizer growls and screams from Morton Subotnick's <I>The Wild Bull</I> (LP, Nonesuch H-71208)?

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HD Radio Makes Progress

We've been hearing about it for years, but high-definition radio may finally be on its way. Feeling competitive pressure from satellite operations XM Radio and Sirius Satellite Radio, US broadcasters are making what appear to be sincere efforts to upgrade their service by moving from analog to digital.

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Music Business—Show Business

<I>Stereophile</I> is devoted to getting the best sound from a home audio system. But as I have <A HREF="http://www.stereophile.com/asweseeit/533">written before</A>, audiophiles don't have access to an <I>absolute</I> sound, only to what has been captured in the pits or grooves of their discs, which is itself the result of a creative process. The playing back and the making of recordings are therefore two sides of the same coin. This is why I get actively involved in recording projects and why I publish articles about those projects, the most recent of which appears on p.50. "<A HREF="http://www.stereophile.com/musicrecordings/804k622">Project K622</A>" describes the making of a new recording of Mozart's Clarinet Concerto (work number 622 in the K&#246;chel catalog of Mozart's compositions, hence the article's title), which is being released both on hybrid SACD and on 180gm vinyl. (You can buy both from our secure "<A HREF="https://secure.stereophile.com/stereophile/recordings.shtml">Recordings…; page.)

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