I’ve been digging Dexter Gordon’s 1963 album, <i>Our Man In Paris</i>, featuring Bud Powell on piano, Pierre Michelot (a JA fave) on bass, and Kenny Clarke on drums. Look at how deep and cool Dexter Gordon looks on the cover, balancing a smoke between his fingers, lost in thought.
As a musician who has studied of all forms of acoustic and electric keyboard instruments, I have played the gamut of keyboards, from gems to disasters. I think the most significant keyboard developments of the 20th century were the Hammond organ, the Fender Rhodes electric piano, and the Moog synthesizer. These instruments were notable not for their ability to replicate the sound of acoustic instruments, but for the new timbres and textures possible with them, which have since become permanent parts of our musical vocabulary. I have now played an instrument that may prove one of the most significant keyboard designs of the 21st century: the Yamaha AvantGrand N3.
Last January, John Atkinson wrote an enthusiastic review of <a href="http://www.stereophile.com/floorloudspeakers/dynaudio_sapphire_loudspea…’s 30th Anniversary Sapphire</a> loudspeaker; impressed by its big-bottomed bass, neutral midrange, and stable stereo imaging, JA concluded:
In <a href="http://forum.stereophile.com/forum/showflat.php?Cat=0&Board=rants&Numbe… forum</a>, it’s been determined that <a href="http://www.stereophile.com/integratedamps/329/index.html">Magnum Dynalab</a>, without a doubt, offers the best tuners on the market; and, while I don’t own a decent tuner and my time spent listening to the radio is dedicated almost entirely to frustrating Mets games and morning weather reports, I am now interested in Radio Happy Hour, with host Sam Osterhout, actors Matt Skibiak and Robin Reed, and music by Stephanie Davila.
Ah: Best Coast’s Bethany Cosentino has fun when she’s with Ronald McDonald. Hmm. Here’s the video for Best Coast’s “When I’m With You,” directed by <a href="http://www.peteohs.com/">Pete Ohs</a>:
The <a href="http://www.eskucheme.com/">Eskuche</a> 33-1/3 headphone. On May 3, buy a pair of these and get a limited-edition <a href="http://blog.stereophile.com/stephenmejias/the_world_is_crazy/">Best Coast</a> 7” single. <a href="http://pitchfork.com/news/38483-best-coast-new-video-new-single/">Pitch…; told me, via <a href="http://twitter.com/stereophilemag">Twitter</a>.
This week only, we can <a href="http://soundcloud.com/subpop/beach-house-the-arrangement">stream new music</a> from Beach House. “The Arrangement” comes from the A side of Beach House’s “Zebra” 12-inch, made special for <a href="http://www.recordstoreday.com/Home">Record Store Day</a> (this Saturday, April 17!).
<I>Photo:Jason Creps</I>
Longtime <i>Stereophile</i> contributor and well-respected child psychiatrist, Larry Greenhill, is a fan of Insane Clown Posse.
Comparisons to a young Bob Dylan are inevitable. There’s the same sort of defiance, the odd insouciance, the long lines of poetry squeezed out and hacked out and blown out like kisses, too. The guitar work is very good—scintillating at times and always passionately wrought—but it’s the voice that gets you. The voice—childlike but crotchety as hell, delicate but yearning, beautiful but completely wrong. The voice is what gets you. Kristian Matsson is The Tallest Man On Earth; he plays rock and roll, and plans to be forgotten when he’s gone.